AES E-Library

T. Webb, and AN. J.. Horsburgh, "Auto Panning In-Ear Monitors for Live Performers," Paper 9345, (2015 May.). doi: T. Webb, and AN. J.. Horsburgh, "Auto Panning In-Ear Monitors for Live Performers," Paper 9345, (2015 May.). doi:
Abstract: In a live musical performance, accurate stage monitoring is a vital element to achieve the optimal performance. Current stage monitoring uses traditional musician-facing loudspeakers. Problems can be surmised as excessive Sound Pressure Level (SPL), the inability to hear themselves, acoustic feedback, and general stage untidiness/space requirements. In-ear monitors (IEM’s) can offer a solution to these problems when the IEM system has been properly designed [7]. One crucial issue with IEMs is the sense of isolation and disconnection from stage noise and crowd. To overcome this issue, an auto-panning system that adjusts spatial placement of audio channels within the performers stage mix has been designed and built.

@article{webb2015auto,
author={webb, tom and horsburgh, andrew j.},
journal={journal of the audio engineering society},
title={auto panning in-ear monitors for live performers},
year={2015},
volume={},
number={},
pages={},
doi={},
month={may},} @article{webb2015auto,
author={webb, tom and horsburgh, andrew j.},
journal={journal of the audio engineering society},
title={auto panning in-ear monitors for live performers},
year={2015},
volume={},
number={},
pages={},
doi={},
month={may},
abstract={in a live musical performance, accurate stage monitoring is a vital element to achieve the optimal performance. current stage monitoring uses traditional musician-facing loudspeakers. problems can be surmised as excessive sound pressure level (spl), the inability to hear themselves, acoustic feedback, and general stage untidiness/space requirements. in-ear monitors (iem’s) can offer a solution to these problems when the iem system has been properly designed [7]. one crucial issue with iems is the sense of isolation and disconnection from stage noise and crowd. to overcome this issue, an auto-panning system that adjusts spatial placement of audio channels within the performers stage mix has been designed and built.},}

TY - paper
TI - Auto Panning In-Ear Monitors for Live Performers
SP - EP -
AU - Webb, Tom
AU - Horsburgh, Andrew J.
PY - 2015
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2015 TY - paper
TI - Auto Panning In-Ear Monitors for Live Performers
SP - EP -
AU - Webb, Tom
AU - Horsburgh, Andrew J.
PY - 2015
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2015
AB - In a live musical performance, accurate stage monitoring is a vital element to achieve the optimal performance. Current stage monitoring uses traditional musician-facing loudspeakers. Problems can be surmised as excessive Sound Pressure Level (SPL), the inability to hear themselves, acoustic feedback, and general stage untidiness/space requirements. In-ear monitors (IEM’s) can offer a solution to these problems when the IEM system has been properly designed [7]. One crucial issue with IEMs is the sense of isolation and disconnection from stage noise and crowd. To overcome this issue, an auto-panning system that adjusts spatial placement of audio channels within the performers stage mix has been designed and built.