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L. Kardos, "The Sonic Vernacular: Considering Communicative Timbral Gestures in Modern Music Production," Paper 9344, (2015 May.). doi: L. Kardos, "The Sonic Vernacular: Considering Communicative Timbral Gestures in Modern Music Production," Paper 9344, (2015 May.). doi:
Abstract: Over the course of audio recording history, we have seen the activity of sound recording widen in scope “from a technical matter to a conceptual and artistic one” (Moorefield 2010) and the producer’s role evolving from technician to “auteur.” For recording practitioners engaged in artistic and commercial industry and discourse, fluency in contemporary and historic sound languages is advantageous This paper seeks to find the best, most practically useful method to describe these characteristics in practice, identify a clear and suitable way to talk about and analyze these uses of communicative timbral gestures, as heard in modern music productions.”

@article{kardos2015the,
author={kardos, leah},
journal={journal of the audio engineering society},
title={the sonic vernacular: considering communicative timbral gestures in modern music production},
year={2015},
volume={},
number={},
pages={},
doi={},
month={may},} @article{kardos2015the,
author={kardos, leah},
journal={journal of the audio engineering society},
title={the sonic vernacular: considering communicative timbral gestures in modern music production},
year={2015},
volume={},
number={},
pages={},
doi={},
month={may},
abstract={over the course of audio recording history, we have seen the activity of sound recording widen in scope “from a technical matter to a conceptual and artistic one” (moorefield 2010) and the producer’s role evolving from technician to “auteur.” for recording practitioners engaged in artistic and commercial industry and discourse, fluency in contemporary and historic sound languages is advantageous this paper seeks to find the best, most practically useful method to describe these characteristics in practice, identify a clear and suitable way to talk about and analyze these uses of communicative timbral gestures, as heard in modern music productions.”},}

TY - paper
TI - The Sonic Vernacular: Considering Communicative Timbral Gestures in Modern Music Production
SP - EP -
AU - Kardos, Leah
PY - 2015
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2015 TY - paper
TI - The Sonic Vernacular: Considering Communicative Timbral Gestures in Modern Music Production
SP - EP -
AU - Kardos, Leah
PY - 2015
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2015
AB - Over the course of audio recording history, we have seen the activity of sound recording widen in scope “from a technical matter to a conceptual and artistic one” (Moorefield 2010) and the producer’s role evolving from technician to “auteur.” For recording practitioners engaged in artistic and commercial industry and discourse, fluency in contemporary and historic sound languages is advantageous This paper seeks to find the best, most practically useful method to describe these characteristics in practice, identify a clear and suitable way to talk about and analyze these uses of communicative timbral gestures, as heard in modern music productions.”