Deep Sound Design: Procedural Implementations Based on General Audiovisual Production Pipeline Integration
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JO. RO. Cabezas Hernández, "Deep Sound Design: Procedural Implementations Based on General Audiovisual Production Pipeline Integration," Paper 9340, (2015 May.). doi:
JO. RO. Cabezas Hernández, "Deep Sound Design: Procedural Implementations Based on General Audiovisual Production Pipeline Integration," Paper 9340, (2015 May.). doi:
Abstract: This work is an exploration for the integration of data available on the visual post-production pipeline for the development of procedural sound design and composition techniques, by implementing different methods to allow access of different file formats for scene and shot reconstruction. The main purpose in an audiovisual creation context is to investigate stronger and inmost image-sound cognitive perceptions and relationships generated by data usage and analysis; also, reducing automation time by directly linking data to parameters for developing a creative editing, mixing, design, and compositional workflow based on a shot by shot manipulation.
@article{cabezas hernández2015deep,
author={cabezas hernández, josé roberto},
journal={journal of the audio engineering society},
title={deep sound design: procedural implementations based on general audiovisual production pipeline integration},
year={2015},
volume={},
number={},
pages={},
doi={},
month={may},}
@article{cabezas hernández2015deep,
author={cabezas hernández, josé roberto},
journal={journal of the audio engineering society},
title={deep sound design: procedural implementations based on general audiovisual production pipeline integration},
year={2015},
volume={},
number={},
pages={},
doi={},
month={may},
abstract={this work is an exploration for the integration of data available on the visual post-production pipeline for the development of procedural sound design and composition techniques, by implementing different methods to allow access of different file formats for scene and shot reconstruction. the main purpose in an audiovisual creation context is to investigate stronger and inmost image-sound cognitive perceptions and relationships generated by data usage and analysis; also, reducing automation time by directly linking data to parameters for developing a creative editing, mixing, design, and compositional workflow based on a shot by shot manipulation.},}
TY - paper
TI - Deep Sound Design: Procedural Implementations Based on General Audiovisual Production Pipeline Integration
SP -
EP -
AU - Cabezas Hernández, José Roberto
PY - 2015
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2015
TY - paper
TI - Deep Sound Design: Procedural Implementations Based on General Audiovisual Production Pipeline Integration
SP -
EP -
AU - Cabezas Hernández, José Roberto
PY - 2015
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2015
AB - This work is an exploration for the integration of data available on the visual post-production pipeline for the development of procedural sound design and composition techniques, by implementing different methods to allow access of different file formats for scene and shot reconstruction. The main purpose in an audiovisual creation context is to investigate stronger and inmost image-sound cognitive perceptions and relationships generated by data usage and analysis; also, reducing automation time by directly linking data to parameters for developing a creative editing, mixing, design, and compositional workflow based on a shot by shot manipulation.
This work is an exploration for the integration of data available on the visual post-production pipeline for the development of procedural sound design and composition techniques, by implementing different methods to allow access of different file formats for scene and shot reconstruction. The main purpose in an audiovisual creation context is to investigate stronger and inmost image-sound cognitive perceptions and relationships generated by data usage and analysis; also, reducing automation time by directly linking data to parameters for developing a creative editing, mixing, design, and compositional workflow based on a shot by shot manipulation.
Author:
Cabezas Hernández, José Roberto
Affiliation:
Universidad Nacional Autónoma de México, Mexico City, Mexico
AES Convention:
138 (May 2015)
Paper Number:
9340
Publication Date:
May 6, 2015Import into BibTeX
Subject:
Recording and Production
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=17764