Concept of Film Sound Restoration by Adapting to Contemporary Cinema Theatre
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J. Napieralska, "Concept of Film Sound Restoration by Adapting to Contemporary Cinema Theatre," Paper 9339, (2015 May.). doi:
J. Napieralska, "Concept of Film Sound Restoration by Adapting to Contemporary Cinema Theatre," Paper 9339, (2015 May.). doi:
Abstract: This paper presents an individual approach to restoration of Polish film sound based on the author’s own works. It answers the following question: under what conditions, and by the use of which techniques, may the restoration of archive film sound provide the viewer with a cleaner reproduction of the original sound while maintaining the standard expected by a modern cinema-going audience. At its basic level, the sound restoration routine comprises the following: transfer from the magnetic tape, syncing, cleaning of low/high frequency noises, repair of material impairments and reprinting effect, and mastering for broadcasting, cinema, DVD/Blu-ray, and internet formats. The reconstruction discussed modifies the sound quality and sometimes the contents. However, it can be performed only under certain legal restrictions.
@article{napieralska2015concept,
author={napieralska, joanna},
journal={journal of the audio engineering society},
title={concept of film sound restoration by adapting to contemporary cinema theatre},
year={2015},
volume={},
number={},
pages={},
doi={},
month={may},}
@article{napieralska2015concept,
author={napieralska, joanna},
journal={journal of the audio engineering society},
title={concept of film sound restoration by adapting to contemporary cinema theatre},
year={2015},
volume={},
number={},
pages={},
doi={},
month={may},
abstract={this paper presents an individual approach to restoration of polish film sound based on the author’s own works. it answers the following question: under what conditions, and by the use of which techniques, may the restoration of archive film sound provide the viewer with a cleaner reproduction of the original sound while maintaining the standard expected by a modern cinema-going audience. at its basic level, the sound restoration routine comprises the following: transfer from the magnetic tape, syncing, cleaning of low/high frequency noises, repair of material impairments and reprinting effect, and mastering for broadcasting, cinema, dvd/blu-ray, and internet formats. the reconstruction discussed modifies the sound quality and sometimes the contents. however, it can be performed only under certain legal restrictions.},}
TY - paper
TI - Concept of Film Sound Restoration by Adapting to Contemporary Cinema Theatre
SP -
EP -
AU - Napieralska, Joanna
PY - 2015
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2015
TY - paper
TI - Concept of Film Sound Restoration by Adapting to Contemporary Cinema Theatre
SP -
EP -
AU - Napieralska, Joanna
PY - 2015
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2015
AB - This paper presents an individual approach to restoration of Polish film sound based on the author’s own works. It answers the following question: under what conditions, and by the use of which techniques, may the restoration of archive film sound provide the viewer with a cleaner reproduction of the original sound while maintaining the standard expected by a modern cinema-going audience. At its basic level, the sound restoration routine comprises the following: transfer from the magnetic tape, syncing, cleaning of low/high frequency noises, repair of material impairments and reprinting effect, and mastering for broadcasting, cinema, DVD/Blu-ray, and internet formats. The reconstruction discussed modifies the sound quality and sometimes the contents. However, it can be performed only under certain legal restrictions.
This paper presents an individual approach to restoration of Polish film sound based on the author’s own works. It answers the following question: under what conditions, and by the use of which techniques, may the restoration of archive film sound provide the viewer with a cleaner reproduction of the original sound while maintaining the standard expected by a modern cinema-going audience. At its basic level, the sound restoration routine comprises the following: transfer from the magnetic tape, syncing, cleaning of low/high frequency noises, repair of material impairments and reprinting effect, and mastering for broadcasting, cinema, DVD/Blu-ray, and internet formats. The reconstruction discussed modifies the sound quality and sometimes the contents. However, it can be performed only under certain legal restrictions.
Author:
Napieralska, Joanna
Affiliation:
Frederic Chopin University of Music, Warsaw, Poland
AES Convention:
138 (May 2015)
Paper Number:
9339
Publication Date:
May 6, 2015Import into BibTeX
Subject:
Recording and Production
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=17763