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AN. FE. Quiroga, JU. DA. Garcia, and D. Páez, "Tom–Tom Drumheads Miking Analysis," Paper 9338, (2015 May.). doi: AN. FE. Quiroga, JU. DA. Garcia, and D. Páez, "Tom–Tom Drumheads Miking Analysis," Paper 9338, (2015 May.). doi:
Abstract: Different drum recording techniques have been developed through time, from stereo to close miking techniques. This is relevant, since the techniques and the characteristics of the instrument will define its sound within the final mix. A study was designed that gives experienced and non-experienced recording engineers tools and specific characteristics of tom–tom close miking techniques with different drumheads, microphones, and capture positions. Results indicate the behaviors of the different drumheads and capture positions with the different microphones. The first frequency band of resonance (attack) shows the highest decay level compared to the second band of resonance (tone), and the edge position presented the lower decay level on the second band of resonance, showing its resonant behavior on the envelope.

@article{quiroga2015tom–tom,
author={quiroga, andrés felipe and garcia, juan david and páez, dario},
journal={journal of the audio engineering society},
title={tom–tom drumheads miking analysis},
year={2015},
volume={},
number={},
pages={},
doi={},
month={may},} @article{quiroga2015tom–tom,
author={quiroga, andrés felipe and garcia, juan david and páez, dario},
journal={journal of the audio engineering society},
title={tom–tom drumheads miking analysis},
year={2015},
volume={},
number={},
pages={},
doi={},
month={may},
abstract={different drum recording techniques have been developed through time, from stereo to close miking techniques. this is relevant, since the techniques and the characteristics of the instrument will define its sound within the final mix. a study was designed that gives experienced and non-experienced recording engineers tools and specific characteristics of tom–tom close miking techniques with different drumheads, microphones, and capture positions. results indicate the behaviors of the different drumheads and capture positions with the different microphones. the first frequency band of resonance (attack) shows the highest decay level compared to the second band of resonance (tone), and the edge position presented the lower decay level on the second band of resonance, showing its resonant behavior on the envelope.},}

TY - paper
TI - Tom–Tom Drumheads Miking Analysis
SP - EP -
AU - Quiroga, Andrés Felipe
AU - Garcia, Juan David
AU - Páez, Dario
PY - 2015
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2015 TY - paper
TI - Tom–Tom Drumheads Miking Analysis
SP - EP -
AU - Quiroga, Andrés Felipe
AU - Garcia, Juan David
AU - Páez, Dario
PY - 2015
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2015
AB - Different drum recording techniques have been developed through time, from stereo to close miking techniques. This is relevant, since the techniques and the characteristics of the instrument will define its sound within the final mix. A study was designed that gives experienced and non-experienced recording engineers tools and specific characteristics of tom–tom close miking techniques with different drumheads, microphones, and capture positions. Results indicate the behaviors of the different drumheads and capture positions with the different microphones. The first frequency band of resonance (attack) shows the highest decay level compared to the second band of resonance (tone), and the edge position presented the lower decay level on the second band of resonance, showing its resonant behavior on the envelope.