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ED. B.. Brixen, C. Sadolin, and H. Kjelin, "The Importance of Onset Features in Listeners’ Perception of Vocal Modes in Singing," Paper 9139, (2014 October.). doi: ED. B.. Brixen, C. Sadolin, and H. Kjelin, "The Importance of Onset Features in Listeners’ Perception of Vocal Modes in Singing," Paper 9139, (2014 October.). doi:
Abstract: The Complete Vocal Technique defines four vocal modes: Neutral, Curbing, Overdrive, and Edge. This paper reports the result of a listening test involving 59 subjects. The goal has been to find the importance of onset and decay features when identifying the vocal modes. The conclusion is that the onset only to a minor degree is responsible for the aural detection of vocal modes.

@article{brixen2014the,
author={brixen, eddy b. and sadolin, cathrine and kjelin, henrik},
journal={journal of the audio engineering society},
title={the importance of onset features in listeners’ perception of vocal modes in singing},
year={2014},
volume={},
number={},
pages={},
doi={},
month={october},} @article{brixen2014the,
author={brixen, eddy b. and sadolin, cathrine and kjelin, henrik},
journal={journal of the audio engineering society},
title={the importance of onset features in listeners’ perception of vocal modes in singing},
year={2014},
volume={},
number={},
pages={},
doi={},
month={october},
abstract={the complete vocal technique defines four vocal modes: neutral, curbing, overdrive, and edge. this paper reports the result of a listening test involving 59 subjects. the goal has been to find the importance of onset and decay features when identifying the vocal modes. the conclusion is that the onset only to a minor degree is responsible for the aural detection of vocal modes.},}

TY - paper
TI - The Importance of Onset Features in Listeners’ Perception of Vocal Modes in Singing
SP - EP -
AU - Brixen, Eddy B.
AU - Sadolin, Cathrine
AU - Kjelin, Henrik
PY - 2014
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2014 TY - paper
TI - The Importance of Onset Features in Listeners’ Perception of Vocal Modes in Singing
SP - EP -
AU - Brixen, Eddy B.
AU - Sadolin, Cathrine
AU - Kjelin, Henrik
PY - 2014
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2014
AB - The Complete Vocal Technique defines four vocal modes: Neutral, Curbing, Overdrive, and Edge. This paper reports the result of a listening test involving 59 subjects. The goal has been to find the importance of onset and decay features when identifying the vocal modes. The conclusion is that the onset only to a minor degree is responsible for the aural detection of vocal modes.