Elicitation and Objective Grading of Punch within Produced Music
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S. Fenton, H. Lee, and J. Wakefield, "Elicitation and Objective Grading of Punch within Produced Music," Paper 9043, (2014 April.). doi:
S. Fenton, H. Lee, and J. Wakefield, "Elicitation and Objective Grading of Punch within Produced Music," Paper 9043, (2014 April.). doi:
Abstract: This paper details the results from an investigation into the objective grading of punch within a complex musical signal. The term punch is a subjective term, which is often used to characterize music or sound sources that exhibit a sense of dynamic power or weight to the listener. In a novel reverse elicitation process, experts were asked to create audio samples that they perceived as having punch using a multi-band wave shaping process. Expert listeners then graded the generated punchy audio samples in a controlled listening test. Statistical analysis identified correlations between Mean Subject Scores and the parameters that created the punchy audio samples suggesting that an algorithm could be developed to objectively evaluate punch in produced music.
@article{fenton2014elicitation,
author={fenton, steven and lee, hyunkook and wakefield, jonathan},
journal={journal of the audio engineering society},
title={elicitation and objective grading of punch within produced music},
year={2014},
volume={},
number={},
pages={},
doi={},
month={april},}
@article{fenton2014elicitation,
author={fenton, steven and lee, hyunkook and wakefield, jonathan},
journal={journal of the audio engineering society},
title={elicitation and objective grading of punch within produced music},
year={2014},
volume={},
number={},
pages={},
doi={},
month={april},
abstract={this paper details the results from an investigation into the objective grading of punch within a complex musical signal. the term punch is a subjective term, which is often used to characterize music or sound sources that exhibit a sense of dynamic power or weight to the listener. in a novel reverse elicitation process, experts were asked to create audio samples that they perceived as having punch using a multi-band wave shaping process. expert listeners then graded the generated punchy audio samples in a controlled listening test. statistical analysis identified correlations between mean subject scores and the parameters that created the punchy audio samples suggesting that an algorithm could be developed to objectively evaluate punch in produced music.},}
TY - paper
TI - Elicitation and Objective Grading of Punch within Produced Music
SP -
EP -
AU - Fenton, Steven
AU - Lee, Hyunkook
AU - Wakefield, Jonathan
PY - 2014
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - April 2014
TY - paper
TI - Elicitation and Objective Grading of Punch within Produced Music
SP -
EP -
AU - Fenton, Steven
AU - Lee, Hyunkook
AU - Wakefield, Jonathan
PY - 2014
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - April 2014
AB - This paper details the results from an investigation into the objective grading of punch within a complex musical signal. The term punch is a subjective term, which is often used to characterize music or sound sources that exhibit a sense of dynamic power or weight to the listener. In a novel reverse elicitation process, experts were asked to create audio samples that they perceived as having punch using a multi-band wave shaping process. Expert listeners then graded the generated punchy audio samples in a controlled listening test. Statistical analysis identified correlations between Mean Subject Scores and the parameters that created the punchy audio samples suggesting that an algorithm could be developed to objectively evaluate punch in produced music.
This paper details the results from an investigation into the objective grading of punch within a complex musical signal. The term punch is a subjective term, which is often used to characterize music or sound sources that exhibit a sense of dynamic power or weight to the listener. In a novel reverse elicitation process, experts were asked to create audio samples that they perceived as having punch using a multi-band wave shaping process. Expert listeners then graded the generated punchy audio samples in a controlled listening test. Statistical analysis identified correlations between Mean Subject Scores and the parameters that created the punchy audio samples suggesting that an algorithm could be developed to objectively evaluate punch in produced music.
Authors:
Fenton, Steven; Lee, Hyunkook; Wakefield, Jonathan
Affiliation:
University of Huddersfield, Huddersfield, UK
AES Convention:
136 (April 2014)
Paper Number:
9043
Publication Date:
April 25, 2014Import into BibTeX
Subject:
Perception/Spatial Audio/Room Acoustics
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=17190