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LI. A.. Gedemer, "Evaluation of the SMPTE X-Curve Based on a Survey of Re-Recording Mixers," Paper 8996, (2013 October.). doi: LI. A.. Gedemer, "Evaluation of the SMPTE X-Curve Based on a Survey of Re-Recording Mixers," Paper 8996, (2013 October.). doi:
Abstract: Cinema calibration methods, which include targeted equalization curves for both dub stages and cinemas, are currently used to ensure an accurate translation of a film's sound track from dub stage to cinema. In recent years, there has been an effort to reexamine how cinemas and dub-stages are calibrated with respect to preferred or standardized room response curves. Most notable is the work currently underway reviewing the SMPTE standard ST202:2010 "For Motion-Pictures - Dubbing Stages (Mixing Rooms), Screening Rooms and Indoor Theaters -B-Chain Electroacoustic Response." There are both scientific and anecdotal reasons to question the effectiveness of the SMPTE standard in its current form. A survey of re-recording mixers was undertaken in an effort to better understand the efficaciousness of the SMPTE standard from the users' point of view.

@article{gedemer2013evaluation,
author={gedemer, linda a.},
journal={journal of the audio engineering society},
title={evaluation of the smpte x-curve based on a survey of re-recording mixers},
year={2013},
volume={},
number={},
pages={},
doi={},
month={october},} @article{gedemer2013evaluation,
author={gedemer, linda a.},
journal={journal of the audio engineering society},
title={evaluation of the smpte x-curve based on a survey of re-recording mixers},
year={2013},
volume={},
number={},
pages={},
doi={},
month={october},
abstract={cinema calibration methods, which include targeted equalization curves for both dub stages and cinemas, are currently used to ensure an accurate translation of a film's sound track from dub stage to cinema. in recent years, there has been an effort to reexamine how cinemas and dub-stages are calibrated with respect to preferred or standardized room response curves. most notable is the work currently underway reviewing the smpte standard st202:2010 "for motion-pictures - dubbing stages (mixing rooms), screening rooms and indoor theaters -b-chain electroacoustic response." there are both scientific and anecdotal reasons to question the effectiveness of the smpte standard in its current form. a survey of re-recording mixers was undertaken in an effort to better understand the efficaciousness of the smpte standard from the users' point of view.},}

TY - paper
TI - Evaluation of the SMPTE X-Curve Based on a Survey of Re-Recording Mixers
SP - EP -
AU - Gedemer, Linda A.
PY - 2013
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2013 TY - paper
TI - Evaluation of the SMPTE X-Curve Based on a Survey of Re-Recording Mixers
SP - EP -
AU - Gedemer, Linda A.
PY - 2013
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2013
AB - Cinema calibration methods, which include targeted equalization curves for both dub stages and cinemas, are currently used to ensure an accurate translation of a film's sound track from dub stage to cinema. In recent years, there has been an effort to reexamine how cinemas and dub-stages are calibrated with respect to preferred or standardized room response curves. Most notable is the work currently underway reviewing the SMPTE standard ST202:2010 "For Motion-Pictures - Dubbing Stages (Mixing Rooms), Screening Rooms and Indoor Theaters -B-Chain Electroacoustic Response." There are both scientific and anecdotal reasons to question the effectiveness of the SMPTE standard in its current form. A survey of re-recording mixers was undertaken in an effort to better understand the efficaciousness of the SMPTE standard from the users' point of view.