Evaluation of the SMPTE X-Curve Based on a Survey of Re-Recording Mixers
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LI. A.. Gedemer, "Evaluation of the SMPTE X-Curve Based on a Survey of Re-Recording Mixers," Paper 8996, (2013 October.). doi:
LI. A.. Gedemer, "Evaluation of the SMPTE X-Curve Based on a Survey of Re-Recording Mixers," Paper 8996, (2013 October.). doi:
Abstract: Cinema calibration methods, which include targeted equalization curves for both dub stages and cinemas, are currently used to ensure an accurate translation of a film's sound track from dub stage to cinema. In recent years, there has been an effort to reexamine how cinemas and dub-stages are calibrated with respect to preferred or standardized room response curves. Most notable is the work currently underway reviewing the SMPTE standard ST202:2010 "For Motion-Pictures - Dubbing Stages (Mixing Rooms), Screening Rooms and Indoor Theaters -B-Chain Electroacoustic Response." There are both scientific and anecdotal reasons to question the effectiveness of the SMPTE standard in its current form. A survey of re-recording mixers was undertaken in an effort to better understand the efficaciousness of the SMPTE standard from the users' point of view.
@article{gedemer2013evaluation,
author={gedemer, linda a.},
journal={journal of the audio engineering society},
title={evaluation of the smpte x-curve based on a survey of re-recording mixers},
year={2013},
volume={},
number={},
pages={},
doi={},
month={october},}
@article{gedemer2013evaluation,
author={gedemer, linda a.},
journal={journal of the audio engineering society},
title={evaluation of the smpte x-curve based on a survey of re-recording mixers},
year={2013},
volume={},
number={},
pages={},
doi={},
month={october},
abstract={cinema calibration methods, which include targeted equalization curves for both dub stages and cinemas, are currently used to ensure an accurate translation of a film's sound track from dub stage to cinema. in recent years, there has been an effort to reexamine how cinemas and dub-stages are calibrated with respect to preferred or standardized room response curves. most notable is the work currently underway reviewing the smpte standard st202:2010 "for motion-pictures - dubbing stages (mixing rooms), screening rooms and indoor theaters -b-chain electroacoustic response." there are both scientific and anecdotal reasons to question the effectiveness of the smpte standard in its current form. a survey of re-recording mixers was undertaken in an effort to better understand the efficaciousness of the smpte standard from the users' point of view.},}
TY - paper
TI - Evaluation of the SMPTE X-Curve Based on a Survey of Re-Recording Mixers
SP -
EP -
AU - Gedemer, Linda A.
PY - 2013
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2013
TY - paper
TI - Evaluation of the SMPTE X-Curve Based on a Survey of Re-Recording Mixers
SP -
EP -
AU - Gedemer, Linda A.
PY - 2013
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2013
AB - Cinema calibration methods, which include targeted equalization curves for both dub stages and cinemas, are currently used to ensure an accurate translation of a film's sound track from dub stage to cinema. In recent years, there has been an effort to reexamine how cinemas and dub-stages are calibrated with respect to preferred or standardized room response curves. Most notable is the work currently underway reviewing the SMPTE standard ST202:2010 "For Motion-Pictures - Dubbing Stages (Mixing Rooms), Screening Rooms and Indoor Theaters -B-Chain Electroacoustic Response." There are both scientific and anecdotal reasons to question the effectiveness of the SMPTE standard in its current form. A survey of re-recording mixers was undertaken in an effort to better understand the efficaciousness of the SMPTE standard from the users' point of view.
Cinema calibration methods, which include targeted equalization curves for both dub stages and cinemas, are currently used to ensure an accurate translation of a film's sound track from dub stage to cinema. In recent years, there has been an effort to reexamine how cinemas and dub-stages are calibrated with respect to preferred or standardized room response curves. Most notable is the work currently underway reviewing the SMPTE standard ST202:2010 "For Motion-Pictures - Dubbing Stages (Mixing Rooms), Screening Rooms and Indoor Theaters -B-Chain Electroacoustic Response." There are both scientific and anecdotal reasons to question the effectiveness of the SMPTE standard in its current form. A survey of re-recording mixers was undertaken in an effort to better understand the efficaciousness of the SMPTE standard from the users' point of view.
Author:
Gedemer, Linda A.
Affiliations:
University of Salford, Salford, UK; Harman International, Northridge, CA, USA(See document for exact affiliation information.)
AES Convention:
135 (October 2013)
Paper Number:
8996
Publication Date:
October 16, 2013Import into BibTeX
Subject:
Applications in Audio
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=17044