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R. Gang, S. Shivaswamy, S. Roessner, A. Rao, D. Headlam, and MA. F.. Bocko, "Audio Latency Masking in Music Telepresence Using Artificial Reverberation," Paper 8688, (2012 October.). doi: R. Gang, S. Shivaswamy, S. Roessner, A. Rao, D. Headlam, and MA. F.. Bocko, "Audio Latency Masking in Music Telepresence Using Artificial Reverberation," Paper 8688, (2012 October.). doi:
Abstract: Network latency poses significant challenges in music telepresence systems designed to enable multiple musicians at different locations to perform together in real-time. Since each musician hears a delayed version of the performance from the other musicians it is difficult to maintain synchronization and there is a natural tendency for the musicians to slow their tempo while awaiting response from their fellow performers. We asked if the introduction of artificial reverberation can enable musicians to better tolerate latency by conducting experiments with performers where the degree of latency was controllable and for which artificial reverberation could be added or not. Both objective and subjective evaluation of ensemble performances were conducted to evaluate the perceptual responses at different experimental settings.

@article{gang2012audio,
author={gang, ren and shivaswamy, samarth and roessner, stephen and rao, akshay and headlam, dave and bocko, mark f.},
journal={journal of the audio engineering society},
title={audio latency masking in music telepresence using artificial reverberation},
year={2012},
volume={},
number={},
pages={},
doi={},
month={october},} @article{gang2012audio,
author={gang, ren and shivaswamy, samarth and roessner, stephen and rao, akshay and headlam, dave and bocko, mark f.},
journal={journal of the audio engineering society},
title={audio latency masking in music telepresence using artificial reverberation},
year={2012},
volume={},
number={},
pages={},
doi={},
month={october},
abstract={network latency poses significant challenges in music telepresence systems designed to enable multiple musicians at different locations to perform together in real-time. since each musician hears a delayed version of the performance from the other musicians it is difficult to maintain synchronization and there is a natural tendency for the musicians to slow their tempo while awaiting response from their fellow performers. we asked if the introduction of artificial reverberation can enable musicians to better tolerate latency by conducting experiments with performers where the degree of latency was controllable and for which artificial reverberation could be added or not. both objective and subjective evaluation of ensemble performances were conducted to evaluate the perceptual responses at different experimental settings.},}

TY - paper
TI - Audio Latency Masking in Music Telepresence Using Artificial Reverberation
SP - EP -
AU - Gang, Ren
AU - Shivaswamy, Samarth
AU - Roessner, Stephen
AU - Rao, Akshay
AU - Headlam, Dave
AU - Bocko, Mark F.
PY - 2012
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2012 TY - paper
TI - Audio Latency Masking in Music Telepresence Using Artificial Reverberation
SP - EP -
AU - Gang, Ren
AU - Shivaswamy, Samarth
AU - Roessner, Stephen
AU - Rao, Akshay
AU - Headlam, Dave
AU - Bocko, Mark F.
PY - 2012
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2012
AB - Network latency poses significant challenges in music telepresence systems designed to enable multiple musicians at different locations to perform together in real-time. Since each musician hears a delayed version of the performance from the other musicians it is difficult to maintain synchronization and there is a natural tendency for the musicians to slow their tempo while awaiting response from their fellow performers. We asked if the introduction of artificial reverberation can enable musicians to better tolerate latency by conducting experiments with performers where the degree of latency was controllable and for which artificial reverberation could be added or not. Both objective and subjective evaluation of ensemble performances were conducted to evaluate the perceptual responses at different experimental settings.