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J. Paulus, C. Uhle, and J. Herre, "Perceived Level of Late Reverberation in Speech and Music," Paper 8331, (2011 May.). doi: J. Paulus, C. Uhle, and J. Herre, "Perceived Level of Late Reverberation in Speech and Music," Paper 8331, (2011 May.). doi:
Abstract: This paper presents experimental investigations on the perceived level of running reverberation in various types of monophonic audio signals. The design and results of three listening tests are discussed. The tests focus on the influence of the input material, the direct-to-reverberation ratio (mixing level), and the reverberation time using artificially generated impulse responses for simulating the late reverberation. Furthermore, a comparison between mono and stereo reverberation is conducted. It can be observed that with equal mixing levels, the input material and the shape of the reverberation tail have a prominent effect on the perceived level. The results suggest that mono and stereo reverberation with identical reverberation times and mixing ratios are perceived as having equal level regardless of the material.

@article{paulus2011perceived,
author={paulus, jouni and uhle, christian and herre, jürgen},
journal={journal of the audio engineering society},
title={perceived level of late reverberation in speech and music},
year={2011},
volume={},
number={},
pages={},
doi={},
month={may},} @article{paulus2011perceived,
author={paulus, jouni and uhle, christian and herre, jürgen},
journal={journal of the audio engineering society},
title={perceived level of late reverberation in speech and music},
year={2011},
volume={},
number={},
pages={},
doi={},
month={may},
abstract={this paper presents experimental investigations on the perceived level of running reverberation in various types of monophonic audio signals. the design and results of three listening tests are discussed. the tests focus on the influence of the input material, the direct-to-reverberation ratio (mixing level), and the reverberation time using artificially generated impulse responses for simulating the late reverberation. furthermore, a comparison between mono and stereo reverberation is conducted. it can be observed that with equal mixing levels, the input material and the shape of the reverberation tail have a prominent effect on the perceived level. the results suggest that mono and stereo reverberation with identical reverberation times and mixing ratios are perceived as having equal level regardless of the material.},}

TY - paper
TI - Perceived Level of Late Reverberation in Speech and Music
SP - EP -
AU - Paulus, Jouni
AU - Uhle, Christian
AU - Herre, Jürgen
PY - 2011
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2011 TY - paper
TI - Perceived Level of Late Reverberation in Speech and Music
SP - EP -
AU - Paulus, Jouni
AU - Uhle, Christian
AU - Herre, Jürgen
PY - 2011
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2011
AB - This paper presents experimental investigations on the perceived level of running reverberation in various types of monophonic audio signals. The design and results of three listening tests are discussed. The tests focus on the influence of the input material, the direct-to-reverberation ratio (mixing level), and the reverberation time using artificially generated impulse responses for simulating the late reverberation. Furthermore, a comparison between mono and stereo reverberation is conducted. It can be observed that with equal mixing levels, the input material and the shape of the reverberation tail have a prominent effect on the perceived level. The results suggest that mono and stereo reverberation with identical reverberation times and mixing ratios are perceived as having equal level regardless of the material.