Optimizing the Re-Enforcement Effect of Early Reflections on Aspects of Live Musical Performance Using the Image Source Method
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M. Terrell, and J. Reiss, "Optimizing the Re-Enforcement Effect of Early Reflections on Aspects of Live Musical Performance Using the Image Source Method," Paper 7897, (2009 October.). doi:
M. Terrell, and J. Reiss, "Optimizing the Re-Enforcement Effect of Early Reflections on Aspects of Live Musical Performance Using the Image Source Method," Paper 7897, (2009 October.). doi:
Abstract: The image source method is used to identify early reflections which have a re-enforcement effect on the sound traveling within an enclosure. The distribution of absorptive material within the enclosure is optimised to produce the desired re-enforcement effect. This is applied to a monitor mix and a feedback prevention case study. In the former it is shown that the acoustic path gain of the vocals can be increased relative to the acoustic path gain of the other instruments. In the latter it is shown that the acoustic path from loudspeaker to microphone can be manipulated to increase the perceived signal level before the onset of acoustic feedback.
@article{terrell2009optimizing,
author={terrell, michael and reiss, joshua},
journal={journal of the audio engineering society},
title={optimizing the re-enforcement effect of early reflections on aspects of live musical performance using the image source method},
year={2009},
volume={},
number={},
pages={},
doi={},
month={october},}
@article{terrell2009optimizing,
author={terrell, michael and reiss, joshua},
journal={journal of the audio engineering society},
title={optimizing the re-enforcement effect of early reflections on aspects of live musical performance using the image source method},
year={2009},
volume={},
number={},
pages={},
doi={},
month={october},
abstract={the image source method is used to identify early reflections which have a re-enforcement effect on the sound traveling within an enclosure. the distribution of absorptive material within the enclosure is optimised to produce the desired re-enforcement effect. this is applied to a monitor mix and a feedback prevention case study. in the former it is shown that the acoustic path gain of the vocals can be increased relative to the acoustic path gain of the other instruments. in the latter it is shown that the acoustic path from loudspeaker to microphone can be manipulated to increase the perceived signal level before the onset of acoustic feedback.},}
TY - paper
TI - Optimizing the Re-Enforcement Effect of Early Reflections on Aspects of Live Musical Performance Using the Image Source Method
SP -
EP -
AU - Terrell, Michael
AU - Reiss, Joshua
PY - 2009
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2009
TY - paper
TI - Optimizing the Re-Enforcement Effect of Early Reflections on Aspects of Live Musical Performance Using the Image Source Method
SP -
EP -
AU - Terrell, Michael
AU - Reiss, Joshua
PY - 2009
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2009
AB - The image source method is used to identify early reflections which have a re-enforcement effect on the sound traveling within an enclosure. The distribution of absorptive material within the enclosure is optimised to produce the desired re-enforcement effect. This is applied to a monitor mix and a feedback prevention case study. In the former it is shown that the acoustic path gain of the vocals can be increased relative to the acoustic path gain of the other instruments. In the latter it is shown that the acoustic path from loudspeaker to microphone can be manipulated to increase the perceived signal level before the onset of acoustic feedback.
The image source method is used to identify early reflections which have a re-enforcement effect on the sound traveling within an enclosure. The distribution of absorptive material within the enclosure is optimised to produce the desired re-enforcement effect. This is applied to a monitor mix and a feedback prevention case study. In the former it is shown that the acoustic path gain of the vocals can be increased relative to the acoustic path gain of the other instruments. In the latter it is shown that the acoustic path from loudspeaker to microphone can be manipulated to increase the perceived signal level before the onset of acoustic feedback.
Authors:
Terrell, Michael; Reiss, Joshua
Affiliation:
Queen Mary University of London, London, UK
AES Convention:
127 (October 2009)
Paper Number:
7897
Publication Date:
October 1, 2009Import into BibTeX
Subject:
Sound in Real Spaces
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=15092