D. Griesinger, "Frequency Response Adaptation in Binaural Hearing," Paper 7768, (2009 May.). doi:
D. Griesinger, "Frequency Response Adaptation in Binaural Hearing," Paper 7768, (2009 May.). doi:
Abstract: The pinna and ear canals act as listening trumpets to concentrate sound pressure on the eardrum. This concentration is strongly frequency dependent, typically showing a rise in pressure of 20dB at 3000Hz. In addition, diffraction and reflections from the pinna substantially alter the frequency response of the eardrum pressure as a function of the direction of a sound source. In spite of these large departures from flat response, listeners usually report that a uniform pink power spectrum sounds frequency balanced, and loudspeakers are manufactured to this standard. But on close listening frontal pink noise does not sound uniform. The ear clearly uses adaptive correction of timbre to achieve these results. This paper discusses and demonstrates the properties and limits of this adaptation. The results are important for our experience of live music in halls, and in reproduction of music through loudspeakers and headphones.
@article{griesinger2009frequency,
author={griesinger, david},
journal={journal of the audio engineering society},
title={frequency response adaptation in binaural hearing},
year={2009},
volume={},
number={},
pages={},
doi={},
month={may},}
@article{griesinger2009frequency,
author={griesinger, david},
journal={journal of the audio engineering society},
title={frequency response adaptation in binaural hearing},
year={2009},
volume={},
number={},
pages={},
doi={},
month={may},
abstract={the pinna and ear canals act as listening trumpets to concentrate sound pressure on the eardrum. this concentration is strongly frequency dependent, typically showing a rise in pressure of 20db at 3000hz. in addition, diffraction and reflections from the pinna substantially alter the frequency response of the eardrum pressure as a function of the direction of a sound source. in spite of these large departures from flat response, listeners usually report that a uniform pink power spectrum sounds frequency balanced, and loudspeakers are manufactured to this standard. but on close listening frontal pink noise does not sound uniform. the ear clearly uses adaptive correction of timbre to achieve these results. this paper discusses and demonstrates the properties and limits of this adaptation. the results are important for our experience of live music in halls, and in reproduction of music through loudspeakers and headphones.},}
TY - paper
TI - Frequency Response Adaptation in Binaural Hearing
SP -
EP -
AU - Griesinger, David
PY - 2009
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2009
TY - paper
TI - Frequency Response Adaptation in Binaural Hearing
SP -
EP -
AU - Griesinger, David
PY - 2009
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2009
AB - The pinna and ear canals act as listening trumpets to concentrate sound pressure on the eardrum. This concentration is strongly frequency dependent, typically showing a rise in pressure of 20dB at 3000Hz. In addition, diffraction and reflections from the pinna substantially alter the frequency response of the eardrum pressure as a function of the direction of a sound source. In spite of these large departures from flat response, listeners usually report that a uniform pink power spectrum sounds frequency balanced, and loudspeakers are manufactured to this standard. But on close listening frontal pink noise does not sound uniform. The ear clearly uses adaptive correction of timbre to achieve these results. This paper discusses and demonstrates the properties and limits of this adaptation. The results are important for our experience of live music in halls, and in reproduction of music through loudspeakers and headphones.
The pinna and ear canals act as listening trumpets to concentrate sound pressure on the eardrum. This concentration is strongly frequency dependent, typically showing a rise in pressure of 20dB at 3000Hz. In addition, diffraction and reflections from the pinna substantially alter the frequency response of the eardrum pressure as a function of the direction of a sound source. In spite of these large departures from flat response, listeners usually report that a uniform pink power spectrum sounds frequency balanced, and loudspeakers are manufactured to this standard. But on close listening frontal pink noise does not sound uniform. The ear clearly uses adaptive correction of timbre to achieve these results. This paper discusses and demonstrates the properties and limits of this adaptation. The results are important for our experience of live music in halls, and in reproduction of music through loudspeakers and headphones.
Author:
Griesinger, David
Affiliation:
Cambridge, MA, USA
AES Convention:
126 (May 2009)
Paper Number:
7768
Publication Date:
May 1, 2009Import into BibTeX
Subject:
Microphones and Headphones
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=14964