AES E-Library

G. Fazekas, Y. Raimond, and M. Sandler, "A Framework for Producing Rich Musical Metadata in Creative Music Production," Paper 7543, (2008 October.). doi: G. Fazekas, Y. Raimond, and M. Sandler, "A Framework for Producing Rich Musical Metadata in Creative Music Production," Paper 7543, (2008 October.). doi:
Abstract: Musical metadata may include references to individuals, equipment, procedures, parameters or audio features extracted from signals. There are countless possibilities for using this data during the production process. An intelligent audio editor, besides internally relying on it, can be both producer and consumer of information about specific aspects of music production. In this paper, we propose a framework for producing and managing meta information about a recording session, a single take or a subsection of a take. As basis for the necessary knowledge representation we use the Music Ontology with domain specific extensions. We provide examples on how metadata can be used creatively, and demonstrate the implementation of an extended metadata editor in a multitrack audio editor application.

@article{fazekas2008a,
author={fazekas, gyorgy and raimond, yves and sandler, mark},
journal={journal of the audio engineering society},
title={a framework for producing rich musical metadata in creative music production},
year={2008},
volume={},
number={},
pages={},
doi={},
month={october},} @article{fazekas2008a,
author={fazekas, gyorgy and raimond, yves and sandler, mark},
journal={journal of the audio engineering society},
title={a framework for producing rich musical metadata in creative music production},
year={2008},
volume={},
number={},
pages={},
doi={},
month={october},
abstract={musical metadata may include references to individuals, equipment, procedures, parameters or audio features extracted from signals. there are countless possibilities for using this data during the production process. an intelligent audio editor, besides internally relying on it, can be both producer and consumer of information about specific aspects of music production. in this paper, we propose a framework for producing and managing meta information about a recording session, a single take or a subsection of a take. as basis for the necessary knowledge representation we use the music ontology with domain specific extensions. we provide examples on how metadata can be used creatively, and demonstrate the implementation of an extended metadata editor in a multitrack audio editor application.},}

TY - paper
TI - A Framework for Producing Rich Musical Metadata in Creative Music Production
SP - EP -
AU - Fazekas, Gyorgy
AU - Raimond, Yves
AU - Sandler, Mark
PY - 2008
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2008 TY - paper
TI - A Framework for Producing Rich Musical Metadata in Creative Music Production
SP - EP -
AU - Fazekas, Gyorgy
AU - Raimond, Yves
AU - Sandler, Mark
PY - 2008
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2008
AB - Musical metadata may include references to individuals, equipment, procedures, parameters or audio features extracted from signals. There are countless possibilities for using this data during the production process. An intelligent audio editor, besides internally relying on it, can be both producer and consumer of information about specific aspects of music production. In this paper, we propose a framework for producing and managing meta information about a recording session, a single take or a subsection of a take. As basis for the necessary knowledge representation we use the Music Ontology with domain specific extensions. We provide examples on how metadata can be used creatively, and demonstrate the implementation of an extended metadata editor in a multitrack audio editor application.