Measurements of Spaciousness for Stereophonic Music
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A. Sarroff, and JU. P.. Bello, "Measurements of Spaciousness for Stereophonic Music," Paper 7539, (2008 October.). doi:
A. Sarroff, and JU. P.. Bello, "Measurements of Spaciousness for Stereophonic Music," Paper 7539, (2008 October.). doi:
Abstract: The spaciousness of pre-recorded stereophonic music, or how large and immersive the virtual space of it is perceived to be, is an important feature of a produced recording. Quantitative models of spaciousness as a function of a recording's (1) wideness of source panning and of a recording's (2) amount of overall reverberation are proposed. The models are independently evaluated in two controlled experiments. In one, the panning widths of a distribution of sources with varying degrees of panning are estimated; in the other, the extents of reverberation for controlled mixtures of sources with varying degrees of reverberation are estimated. The models are shown to be valid in a controlled experimental framework.
@article{sarroff2008measurements,
author={sarroff, andy and bello, juan p.},
journal={journal of the audio engineering society},
title={measurements of spaciousness for stereophonic music},
year={2008},
volume={},
number={},
pages={},
doi={},
month={october},}
@article{sarroff2008measurements,
author={sarroff, andy and bello, juan p.},
journal={journal of the audio engineering society},
title={measurements of spaciousness for stereophonic music},
year={2008},
volume={},
number={},
pages={},
doi={},
month={october},
abstract={the spaciousness of pre-recorded stereophonic music, or how large and immersive the virtual space of it is perceived to be, is an important feature of a produced recording. quantitative models of spaciousness as a function of a recording's (1) wideness of source panning and of a recording's (2) amount of overall reverberation are proposed. the models are independently evaluated in two controlled experiments. in one, the panning widths of a distribution of sources with varying degrees of panning are estimated; in the other, the extents of reverberation for controlled mixtures of sources with varying degrees of reverberation are estimated. the models are shown to be valid in a controlled experimental framework.},}
TY - paper
TI - Measurements of Spaciousness for Stereophonic Music
SP -
EP -
AU - Sarroff, Andy
AU - Bello, Juan P.
PY - 2008
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2008
TY - paper
TI - Measurements of Spaciousness for Stereophonic Music
SP -
EP -
AU - Sarroff, Andy
AU - Bello, Juan P.
PY - 2008
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2008
AB - The spaciousness of pre-recorded stereophonic music, or how large and immersive the virtual space of it is perceived to be, is an important feature of a produced recording. Quantitative models of spaciousness as a function of a recording's (1) wideness of source panning and of a recording's (2) amount of overall reverberation are proposed. The models are independently evaluated in two controlled experiments. In one, the panning widths of a distribution of sources with varying degrees of panning are estimated; in the other, the extents of reverberation for controlled mixtures of sources with varying degrees of reverberation are estimated. The models are shown to be valid in a controlled experimental framework.
The spaciousness of pre-recorded stereophonic music, or how large and immersive the virtual space of it is perceived to be, is an important feature of a produced recording. Quantitative models of spaciousness as a function of a recording's (1) wideness of source panning and of a recording's (2) amount of overall reverberation are proposed. The models are independently evaluated in two controlled experiments. In one, the panning widths of a distribution of sources with varying degrees of panning are estimated; in the other, the extents of reverberation for controlled mixtures of sources with varying degrees of reverberation are estimated. The models are shown to be valid in a controlled experimental framework.
Authors:
Sarroff, Andy; Bello, Juan P.
Affiliation:
New York University, Music Technology Program
AES Convention:
125 (October 2008)
Paper Number:
7539
Publication Date:
October 1, 2008Import into BibTeX
Subject:
Audio Content Management
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=14691