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M. Goodwin, and J. Jot, "Spatial Audio Scene Coding," Paper 7507, (2008 October.). doi: M. Goodwin, and J. Jot, "Spatial Audio Scene Coding," Paper 7507, (2008 October.). doi:
Abstract: This paper provides an overview of a framework for generalized multichannel audio processing. In this Spatial Audio Scene Coding (SASC) framework, the central idea is to represent an input audio scene in a way that is independent of any assumed or intended reproduction format. This format-agnostic parameterization enables optimal reproduction over any given playback system as well as flexible scene modification. The signal analysis and synthesis tools needed for SASC are described, including a presentation of new approaches for multichannel primary-ambient decomposition. Applications of SASC to spatial audio coding, upmix, phase-amplitude matrix decoding, multichannel format conversion, and binaural reproduction are discussed.

@article{goodwin2008spatial,
author={goodwin, michael and jot, jean-marc},
journal={journal of the audio engineering society},
title={spatial audio scene coding},
year={2008},
volume={},
number={},
pages={},
doi={},
month={october},} @article{goodwin2008spatial,
author={goodwin, michael and jot, jean-marc},
journal={journal of the audio engineering society},
title={spatial audio scene coding},
year={2008},
volume={},
number={},
pages={},
doi={},
month={october},
abstract={this paper provides an overview of a framework for generalized multichannel audio processing. in this spatial audio scene coding (sasc) framework, the central idea is to represent an input audio scene in a way that is independent of any assumed or intended reproduction format. this format-agnostic parameterization enables optimal reproduction over any given playback system as well as flexible scene modification. the signal analysis and synthesis tools needed for sasc are described, including a presentation of new approaches for multichannel primary-ambient decomposition. applications of sasc to spatial audio coding, upmix, phase-amplitude matrix decoding, multichannel format conversion, and binaural reproduction are discussed.},}

TY - paper
TI - Spatial Audio Scene Coding
SP - EP -
AU - Goodwin, Michael
AU - Jot, Jean-Marc
PY - 2008
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2008 TY - paper
TI - Spatial Audio Scene Coding
SP - EP -
AU - Goodwin, Michael
AU - Jot, Jean-Marc
PY - 2008
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - October 2008
AB - This paper provides an overview of a framework for generalized multichannel audio processing. In this Spatial Audio Scene Coding (SASC) framework, the central idea is to represent an input audio scene in a way that is independent of any assumed or intended reproduction format. This format-agnostic parameterization enables optimal reproduction over any given playback system as well as flexible scene modification. The signal analysis and synthesis tools needed for SASC are described, including a presentation of new approaches for multichannel primary-ambient decomposition. Applications of SASC to spatial audio coding, upmix, phase-amplitude matrix decoding, multichannel format conversion, and binaural reproduction are discussed.