A. Kiss, and I. Matok, "What Shall We Do With Center Channel," Paper 22, (2003 May.). doi:
A. Kiss, and I. Matok, "What Shall We Do With Center Channel," Paper 22, (2003 May.). doi:
Abstract: The first stereophonic recording systems used three channels: left, right and center. The stereophonic LP and FM broadcast systems couldn't be able to handle the center channel. The surround movie soundtracks regenerated the center channel. Now, the multichannel sound is more than movie soundtracks, because the new high-resolution systems (SACD, DVD-Audio) are give new possibilities to these formats. In the big Movie Theater, the center channel playing great part in the perfect localization. But what part plays in the acoustical music recordings, and in the home cinema practice? How can fit the mono center channel into the stereophonic image? What will happen after the downmixing? (3/2 to 3/1 Pro Logic or 2/0) We tested some microphone setups and chose one for our recordings. We recorded an church choir in multichannel format. We made some versions of 3/2 mixing We asked the listeners test group, to chose the most natural version. We made downmixes with several coefficients and asked the listeners to describe the changes in the sound, and choose the perfect downmix.
@article{kiss2003what,
author={kiss, attila and matok, istvan},
journal={journal of the audio engineering society},
title={what shall we do with center channel},
year={2003},
volume={},
number={},
pages={},
doi={},
month={may},}
@article{kiss2003what,
author={kiss, attila and matok, istvan},
journal={journal of the audio engineering society},
title={what shall we do with center channel},
year={2003},
volume={},
number={},
pages={},
doi={},
month={may},
abstract={the first stereophonic recording systems used three channels: left, right and center. the stereophonic lp and fm broadcast systems couldn't be able to handle the center channel. the surround movie soundtracks regenerated the center channel. now, the multichannel sound is more than movie soundtracks, because the new high-resolution systems (sacd, dvd-audio) are give new possibilities to these formats. in the big movie theater, the center channel playing great part in the perfect localization. but what part plays in the acoustical music recordings, and in the home cinema practice? how can fit the mono center channel into the stereophonic image? what will happen after the downmixing? (3/2 to 3/1 pro logic or 2/0) we tested some microphone setups and chose one for our recordings. we recorded an church choir in multichannel format. we made some versions of 3/2 mixing we asked the listeners test group, to chose the most natural version. we made downmixes with several coefficients and asked the listeners to describe the changes in the sound, and choose the perfect downmix.},}
TY - paper
TI - What Shall We Do With Center Channel
SP -
EP -
AU - Kiss, Attila
AU - Matok, Istvan
PY - 2003
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2003
TY - paper
TI - What Shall We Do With Center Channel
SP -
EP -
AU - Kiss, Attila
AU - Matok, Istvan
PY - 2003
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 2003
AB - The first stereophonic recording systems used three channels: left, right and center. The stereophonic LP and FM broadcast systems couldn't be able to handle the center channel. The surround movie soundtracks regenerated the center channel. Now, the multichannel sound is more than movie soundtracks, because the new high-resolution systems (SACD, DVD-Audio) are give new possibilities to these formats. In the big Movie Theater, the center channel playing great part in the perfect localization. But what part plays in the acoustical music recordings, and in the home cinema practice? How can fit the mono center channel into the stereophonic image? What will happen after the downmixing? (3/2 to 3/1 Pro Logic or 2/0) We tested some microphone setups and chose one for our recordings. We recorded an church choir in multichannel format. We made some versions of 3/2 mixing We asked the listeners test group, to chose the most natural version. We made downmixes with several coefficients and asked the listeners to describe the changes in the sound, and choose the perfect downmix.
The first stereophonic recording systems used three channels: left, right and center. The stereophonic LP and FM broadcast systems couldn't be able to handle the center channel. The surround movie soundtracks regenerated the center channel. Now, the multichannel sound is more than movie soundtracks, because the new high-resolution systems (SACD, DVD-Audio) are give new possibilities to these formats. In the big Movie Theater, the center channel playing great part in the perfect localization. But what part plays in the acoustical music recordings, and in the home cinema practice? How can fit the mono center channel into the stereophonic image? What will happen after the downmixing? (3/2 to 3/1 Pro Logic or 2/0) We tested some microphone setups and chose one for our recordings. We recorded an church choir in multichannel format. We made some versions of 3/2 mixing We asked the listeners test group, to chose the most natural version. We made downmixes with several coefficients and asked the listeners to describe the changes in the sound, and choose the perfect downmix.
Authors:
Kiss, Attila; Matok, Istvan
Affiliation:
Digital Pro Studio, Budapest, Hungary
AES Conference:
23rd International Conference: Signal Processing in Audio Recording and Reproduction (May 2003)
Paper Number:
22
Publication Date:
May 1, 2003Import into BibTeX
Subject:
Signal Processing in Audio Recording and Reproduction
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=12315