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LO. D.. Fielder, "Dynamic Range Requirement for Subjective Noise Free Reproduction of Music," Paper 1772, (1981 May.). doi: LO. D.. Fielder, "Dynamic Range Requirement for Subjective Noise Free Reproduction of Music," Paper 1772, (1981 May.). doi:
Abstract: A dynamic range of 118 dB is determined necessary for subjective noise-free reproduction of music in a dithered digital audio recorder. Maximum peak sound levels in music are compared to the minimum discernible level of white noise in a quiet listening situation. Microphone noise limitations, monitoring loudspeaker capabilities, and performance environment noise levels are also considered.

@article{fielder1981dynamic,
author={fielder, louis d.},
journal={journal of the audio engineering society},
title={dynamic range requirement for subjective noise free reproduction of music},
year={1981},
volume={},
number={},
pages={},
doi={},
month={may},} @article{fielder1981dynamic,
author={fielder, louis d.},
journal={journal of the audio engineering society},
title={dynamic range requirement for subjective noise free reproduction of music},
year={1981},
volume={},
number={},
pages={},
doi={},
month={may},
abstract={a dynamic range of 118 db is determined necessary for subjective noise-free reproduction of music in a dithered digital audio recorder. maximum peak sound levels in music are compared to the minimum discernible level of white noise in a quiet listening situation. microphone noise limitations, monitoring loudspeaker capabilities, and performance environment noise levels are also considered.},}

TY - paper
TI - Dynamic Range Requirement for Subjective Noise Free Reproduction of Music
SP - EP -
AU - Fielder, Louis D.
PY - 1981
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 1981 TY - paper
TI - Dynamic Range Requirement for Subjective Noise Free Reproduction of Music
SP - EP -
AU - Fielder, Louis D.
PY - 1981
JO - Journal of the Audio Engineering Society
IS -
VO -
VL -
Y1 - May 1981
AB - A dynamic range of 118 dB is determined necessary for subjective noise-free reproduction of music in a dithered digital audio recorder. Maximum peak sound levels in music are compared to the minimum discernible level of white noise in a quiet listening situation. Microphone noise limitations, monitoring loudspeaker capabilities, and performance environment noise levels are also considered.