A Model for the Prediction of Thresholds, Loudness, and Partial Loudness

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BR. J.. Moore, BR. R.. Glasberg, and T. Baer, "A Model for the Prediction of Thresholds, Loudness, and Partial Loudness," J. Audio Eng. Soc., vol. 45, no. 4, pp. 224-240, (1997 April.). doi:
BR. J.. Moore, BR. R.. Glasberg, and T. Baer, "A Model for the Prediction of Thresholds, Loudness, and Partial Loudness," J. Audio Eng. Soc., vol. 45 Issue 4 pp. 224-240, (1997 April.). doi:
Abstract: A loudness model for steady sounds is described having the following stages: 1) a fixed filter representing transfer through the outer ear; 2) a fixed filter representing transfer through the middle ear; 3) calculation of an excitation pattern from the physical spectrum; 4) transformation of the excitation pattern to a specific loudness pattern; 5) determination of the area under the specific loudness pattern, which gives overall loudness for a given ear; and 6) summation of loudness across ears. The model differs from earlier models in the following areas: 1) the assumed transfer function for the outer and middle ear; 2) the way that excitation patterns are calculated; 3) the way that specific loudness is related to excitation for sounds in quiet and in noise; and 4) the way that binaural loudness is calculated from monaural loudness. The model is based on the assumption that sounds at absolute threshold have a small but finite loudness. This loudness is constant regardless of frequency and spectral content. It is also assumed that a sound at masked threshold has the same loudness as a sound at absolute threshold. The model accounts well for recent measures of equal-loudness contours, which differ from earlier measures because of improved control over bias effects. The model correctly predicts the relation between monaural and binaural threshold and loudness. It also correctly accounts for the threshold and loudness of complex sounds as a function of bandwidth.

@article{moore1997a,
author={moore, brian c. j. and glasberg, brian r. and baer, thomas},
journal={journal of the audio engineering society},
title={a model for the prediction of thresholds, loudness, and partial loudness},
year={1997},
volume={45},
number={4},
pages={224-240},
doi={},
month={april},}
@article{moore1997a,
author={moore, brian c. j. and glasberg, brian r. and baer, thomas},
journal={journal of the audio engineering society},
title={a model for the prediction of thresholds, loudness, and partial loudness},
year={1997},
volume={45},
number={4},
pages={224-240},
doi={},
month={april},
abstract={a loudness model for steady sounds is described having the following stages: 1) a fixed filter representing transfer through the outer ear; 2) a fixed filter representing transfer through the middle ear; 3) calculation of an excitation pattern from the physical spectrum; 4) transformation of the excitation pattern to a specific loudness pattern; 5) determination of the area under the specific loudness pattern, which gives overall loudness for a given ear; and 6) summation of loudness across ears. the model differs from earlier models in the following areas: 1) the assumed transfer function for the outer and middle ear; 2) the way that excitation patterns are calculated; 3) the way that specific loudness is related to excitation for sounds in quiet and in noise; and 4) the way that binaural loudness is calculated from monaural loudness. the model is based on the assumption that sounds at absolute threshold have a small but finite loudness. this loudness is constant regardless of frequency and spectral content. it is also assumed that a sound at masked threshold has the same loudness as a sound at absolute threshold. the model accounts well for recent measures of equal-loudness contours, which differ from earlier measures because of improved control over bias effects. the model correctly predicts the relation between monaural and binaural threshold and loudness. it also correctly accounts for the threshold and loudness of complex sounds as a function of bandwidth.},}

TY - paper
TI - A Model for the Prediction of Thresholds, Loudness, and Partial Loudness
SP - 224
EP - 240
AU - Moore, Brian C. J.
AU - Glasberg, Brian R.
AU - Baer, Thomas
PY - 1997
JO - Journal of the Audio Engineering Society
IS - 4
VO - 45
VL - 45
Y1 - April 1997
TY - paper
TI - A Model for the Prediction of Thresholds, Loudness, and Partial Loudness
SP - 224
EP - 240
AU - Moore, Brian C. J.
AU - Glasberg, Brian R.
AU - Baer, Thomas
PY - 1997
JO - Journal of the Audio Engineering Society
IS - 4
VO - 45
VL - 45
Y1 - April 1997
AB - A loudness model for steady sounds is described having the following stages: 1) a fixed filter representing transfer through the outer ear; 2) a fixed filter representing transfer through the middle ear; 3) calculation of an excitation pattern from the physical spectrum; 4) transformation of the excitation pattern to a specific loudness pattern; 5) determination of the area under the specific loudness pattern, which gives overall loudness for a given ear; and 6) summation of loudness across ears. The model differs from earlier models in the following areas: 1) the assumed transfer function for the outer and middle ear; 2) the way that excitation patterns are calculated; 3) the way that specific loudness is related to excitation for sounds in quiet and in noise; and 4) the way that binaural loudness is calculated from monaural loudness. The model is based on the assumption that sounds at absolute threshold have a small but finite loudness. This loudness is constant regardless of frequency and spectral content. It is also assumed that a sound at masked threshold has the same loudness as a sound at absolute threshold. The model accounts well for recent measures of equal-loudness contours, which differ from earlier measures because of improved control over bias effects. The model correctly predicts the relation between monaural and binaural threshold and loudness. It also correctly accounts for the threshold and loudness of complex sounds as a function of bandwidth.

A loudness model for steady sounds is described having the following stages: 1) a fixed filter representing transfer through the outer ear; 2) a fixed filter representing transfer through the middle ear; 3) calculation of an excitation pattern from the physical spectrum; 4) transformation of the excitation pattern to a specific loudness pattern; 5) determination of the area under the specific loudness pattern, which gives overall loudness for a given ear; and 6) summation of loudness across ears. The model differs from earlier models in the following areas: 1) the assumed transfer function for the outer and middle ear; 2) the way that excitation patterns are calculated; 3) the way that specific loudness is related to excitation for sounds in quiet and in noise; and 4) the way that binaural loudness is calculated from monaural loudness. The model is based on the assumption that sounds at absolute threshold have a small but finite loudness. This loudness is constant regardless of frequency and spectral content. It is also assumed that a sound at masked threshold has the same loudness as a sound at absolute threshold. The model accounts well for recent measures of equal-loudness contours, which differ from earlier measures because of improved control over bias effects. The model correctly predicts the relation between monaural and binaural threshold and loudness. It also correctly accounts for the threshold and loudness of complex sounds as a function of bandwidth.

Authors:
Moore, Brian C. J.; Glasberg, Brian R.; Baer, Thomas
Affiliation:
Department of Experimental Psychology, University of Cambridge, Cambridge, UK JAES Volume 45 Issue 4 pp. 224-240; April 1997
Publication Date:
April 1, 1997Import into BibTeX
Permalink:
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