Preserving the Facts for the Future: Principles and Practices for the Transfer of Analog Audio Documents into the Digital Domain
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D. Schuller, "Preserving the Facts for the Future: Principles and Practices for the Transfer of Analog Audio Documents into the Digital Domain," J. Audio Eng. Soc., vol. 49, no. 7/8, pp. 618-621, (2001 July.). doi:
D. Schuller, "Preserving the Facts for the Future: Principles and Practices for the Transfer of Analog Audio Documents into the Digital Domain," J. Audio Eng. Soc., vol. 49 Issue 7/8 pp. 618-621, (2001 July.). doi:
Abstract: The world's stock of audio recordings is estimated to be more than 50 Mh (million hours) of materials. The greater part of these recordings is analog, and many are unique documents of cultural, scientific, or artistical value. None of these recording are on permanent carriers; therefore sooner or later a transfer into the digital domain will be necessary. The technical, ethical, and strategic aspects of such a task are described. Aside of its primary aim of safeguarding a considerable part of our cultural heritage, it is the job-creative aspect that makes the future of sound archives so challenging.
@article{schuller2001preserving,
author={schuller, dietrich},
journal={journal of the audio engineering society},
title={preserving the facts for the future: principles and practices for the transfer of analog audio documents into the digital domain},
year={2001},
volume={49},
number={7/8},
pages={618-621},
doi={},
month={july},}
@article{schuller2001preserving,
author={schuller, dietrich},
journal={journal of the audio engineering society},
title={preserving the facts for the future: principles and practices for the transfer of analog audio documents into the digital domain},
year={2001},
volume={49},
number={7/8},
pages={618-621},
doi={},
month={july},
abstract={the world's stock of audio recordings is estimated to be more than 50 mh (million hours) of materials. the greater part of these recordings is analog, and many are unique documents of cultural, scientific, or artistical value. none of these recording are on permanent carriers; therefore sooner or later a transfer into the digital domain will be necessary. the technical, ethical, and strategic aspects of such a task are described. aside of its primary aim of safeguarding a considerable part of our cultural heritage, it is the job-creative aspect that makes the future of sound archives so challenging.},}
TY - paper
TI - Preserving the Facts for the Future: Principles and Practices for the Transfer of Analog Audio Documents into the Digital Domain
SP - 618
EP - 621
AU - Schuller, Dietrich
PY - 2001
JO - Journal of the Audio Engineering Society
IS - 7/8
VO - 49
VL - 49
Y1 - July 2001
TY - paper
TI - Preserving the Facts for the Future: Principles and Practices for the Transfer of Analog Audio Documents into the Digital Domain
SP - 618
EP - 621
AU - Schuller, Dietrich
PY - 2001
JO - Journal of the Audio Engineering Society
IS - 7/8
VO - 49
VL - 49
Y1 - July 2001
AB - The world's stock of audio recordings is estimated to be more than 50 Mh (million hours) of materials. The greater part of these recordings is analog, and many are unique documents of cultural, scientific, or artistical value. None of these recording are on permanent carriers; therefore sooner or later a transfer into the digital domain will be necessary. The technical, ethical, and strategic aspects of such a task are described. Aside of its primary aim of safeguarding a considerable part of our cultural heritage, it is the job-creative aspect that makes the future of sound archives so challenging.
The world's stock of audio recordings is estimated to be more than 50 Mh (million hours) of materials. The greater part of these recordings is analog, and many are unique documents of cultural, scientific, or artistical value. None of these recording are on permanent carriers; therefore sooner or later a transfer into the digital domain will be necessary. The technical, ethical, and strategic aspects of such a task are described. Aside of its primary aim of safeguarding a considerable part of our cultural heritage, it is the job-creative aspect that makes the future of sound archives so challenging.
Author:
Schuller, Dietrich
Affiliation:
Phonogrammarchiv, Austrian Academy of Sciences, Vienna, Austria JAES Volume 49 Issue 7/8 pp. 618-621; July 2001
Publication Date:
July 1, 2001Import into BibTeX
Permalink:
http://www.aes.org/e-lib/browse.cfm?elib=10182