AES Member Profile

Christian Paladino

Christian Paladino

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Audio Fields:

  • Recording Industry - Music Recording/Mix Studio
  • Recording Industry - Home/Project Studio
  • Recording Industry - Post Production
  • Recording Industry - Internet Distribution
  • Recording Industry - Film/Video Sound
  • Recording Industry - Location Sound Recording
  • Broadcasting - Internet Distribution
  • Consumer - Home
  • Educational Institutions - Educator

Job Duties:

  • Mastering Engineer
  • Author/Journalist/Technical Writer
  • Composer
  • Editor
  • Educator
  • Mixer
  • Owner/Director
  • Record Label Executive
  • Recording Engineer
  • Studio Manager
  • Technician
  • Other: Recording Engineer


Christian is an Argentinian Producer, Director, Filmmaker and Audio Engineering specialist.

Present vicepresident of AES Argentina Section.

He has produced more than 75 hours of audiovisual content from more than 160 works, made in the main theaters, auditoriums and recording studios in Argentina. His productions are played in tv and streaming specialized platforms with millions of views across Latin America, US and Europe.

He funded his audio post production and mastering studio in 2019 (Christian Paladino Audio & Mastering) and since then he has produced more than 200 single tracks and 12 albums, summing 3 million of streams on YouTube and Spotify, for artists from United States, Ireland, Sweden, Australia, Indonesia and Spain.

Renowned by his works on classical and symphonic music with highly rated artists. His credits includes works with Nicolás Guerschberg, Fernanda Morello, Mauricio Charbonnier, Leonardo Le San, Patricia Pouchulu, Asoc. La Bella Música, Colón Theater's professors Philharmonic Orchestra, Carlos Groisman, Orquesta Sinfónica Juvenil San Martín, Cuarteto Petrus, MúsicaClásica BA, Gustavo Hernández, Viviana Lazzarin, Marco Sanguineti, Hernán
Jacinto, María Luisa Rayán, Pablo Saraví, María José Maito, Gloria Pankaeva, Adrián Felizia, Julián Medina, Six Piccato Ensemble, Proyecto Bach Buenos Aires, Vocal Francis, Mario Benzecry, Mónica Zubczuk, Alejandro Schaikis, Franco Pedemonte, Hernán Briático, Luciano Sardo, Red Coral Argentina, Adicora, Cuarteto Gianneo, Gabriel Burgués, Dimitri Geldimuradov, Sergio Parotti, Quinteto Cinco Esquinas, Coro ESEA Luis Guillón, Luciano Sardo and many more, summing more than 2000 artists.

He is director and producer on his company Avant Producciones Audiovisuales, where he works as multicam video director, video shooting planification.
Avant has a division were he developed software for budget management, financial counseling, ingest control, QC and project management. Also he created an Avant Audio Lab to work with his group on sound design for audiovisuals, Audio post production.

He formed alliances with classical music specialized magazines, tv and streaming channels, (like Selecta TV) and several artists organizations that led to grow Avant as an renowed company in classical music recording and production.

In artistic and academic aspects, he is Bachelor in Audiovision and Sound Technician from Universidad Nacional de Lanús, he also made parallel career of Guitar Instruments and Composition at Julián Aguirre's Conservatory in Banfield.

Also he studied composition, arrangement and orchestration with the Mtro. Gabriel Burgués and he made several specialization areas: 8 courses and 5 long seminars in audio specialization and symphonic music recording.

Former teaching and investigation assistant at five chairs at Universidad Nacional de Lanús (UNLa). He started in 2016 at "Arts y Society" (Arts and Music History) chair, due his great interest in historical music and arts appreciation, from a scientific perspective to produce new music and preserve historical value of arts.

This led him to work also in Combined Arts Aesthetics

(Philosophy and contemporary arts), due his interestsin philosophy and social appreciation to arts. One year later he also was called to be part of the teaching and investigation team in Organology and Musical Acoustics, as he had a vast experience withhistorical and orchestral instruments, combined with the history contexts and recording techniques to preserve, modify and/or optimize their characteristics.

Working as professor and as recording engineer, he started to specialize in acoustic instruments recording and acoustical environment analysis, both for professional recording and for acoustical treatment consulting.


B1826DKC Banfield Buenos Aires
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