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- Time to Vote: 2015 AES Elections
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- AES Continues European Growth with Highly Successful 138th Audio Engineering Society Convention in Warsaw, Poland
- First-ever AES Convention in Poland draws attendees and presenters from around the world
- First Book in "AES Presents" Series from Focal Press
- New edition of Handbook for Sound Engineers, edited by Glen Ballou
- Networks - High-performance streaming audio-over-IP interoperability; AES67-xxxx DRAFT REVISION proposed for comment
- Universal jack for 6,35 mm plugs; AES-14id-2010 proposed for reaffirmation
- Measurement of digital audio equipment; AES17 draft revision proposed for comment
- Spatial acoustic data file format; AES69-2015 published
AES Press Release: AES San Francisco 2008
125th AES Convention Workshops Timely, Eclectic, Challenging
For Release: July 29, 2008
Archiving, Game Audio, Data Loss, The ‘Retro Format’ Trend & ‘Big Mistakes’
SAN FRANCISCO: “Our mandate for the 125th AES Convention Workshops Program was to identify the most compelling issues facing the pro audio industry, and to select panels capable of clarifying them,” reports Workshops Co-Chair Dave Harris. “In addition to a number of strong individual presentations, we have also grouped a pair of presentation tracks to address Archiving and Game Audio as comprehensively as possible.”
Co-chair Joe Carter illustrates these ‘Program Tracks’ with three Workshops focusing on Video Game Audio. “Games are now a dominant audio sector of production/post production growth, and clearly warrant in-depth study,” Carter says. “We have also coordinated a trio of Workshops on developments in Archiving, a critical issue with far-ranging implications.”
“We are extremely pleased with this year’s Workshops Program,” remarked 125th AES Convention Committee Co-Chair John Strawn. “Our co-chairs are immensely qualified for this assignment. Dave Harris is a former VP of engineering for NPR in Washington, DC, and Sr. Systems Designer for Lucasfilm THX. Joe Carter served as Sr. Software Engineer at Walt Disney Imagineering and was a member of the Motion Pictures Experts Group (MPEG). They have done a yeoman’s job on this year’s Program. The 125th AES Convention will be held in San Francisco’s Moscone Center, Oct. 2-5, 2008,” Strawn says. “We believe it’s one for the record books”
ARCHIVING WORKSHOPS PROGRAM TRACK:
HOW TO AVOID CRITICAL DATA LOSS AFTER CATASTROPHIC SYSTEM FAILURE: Moderator -Chris Bross - DriveSavers, Inc. Natural disaster, drive failure, human error and cyber-related crime or corruption can threaten business continuity and survival if their data storage devices are compromised. Back up systems and disaster recovery plans can help after a system crash, but precautionary measures should be taken. A senior data recovery engineer will review the most common causes of drive failure, demonstrate the consequences of improper diagnosis, and suggest action for each type of data loss.
ANALYZING, RECOMMENDING AND SEARCHING AUDIO CONTENT – COMMERCIAL APPLLICATIONS OF MUSIC INFORMATION RETRIEVAL: Moderator, Jay LeBoeuf - Imagine Research. Panelists: Tristan Jehan, The Echo Nest; Keyvan Mohajer, Melodis Corporation, Markus Cremer, Gracenote and Matthias Gruhne, Fraunhofer IDMT willfocus on the cutting-edge applications of Music Information Retrieval (MIR), a key technology behind music startups recently featured in Wired and Popular Science. Online music consumption is dramatically enhanced by automatic music recommendation, customized playlisting, rich metadata, etc. This workshop will address what's out there and where it’s all going. Panelists will include industry thought-leaders.
ARCHIVING AND PRESERVATION FOR AUDIO ENGINEERS: Moderator - Konrad Strauss. The art of audio recording is 130 years old. Recordings from the late 1890s have been preserved thanks to the longevity of analog media, but what of today's digital recordings? Digital storage technology is transient in nature, making lifespan and obsolescence a significant concern. Topics include: Best practices for storage and preservation of digital audio recordings, and current thinking and archiving strategies, from home studio to large production facility.
VIDEO GAME AUDIO WORKSHOP TRACK:
NAVIGATING THE TECHNOLOGY MINE FIELD IN GAME AUDIO: Moderator Marc Schaefgen, Midway Games - The complexity and diversity of today’s games have driven developers to look out-of-house for their game audio production needs. Issues will include: tools in the audio production chain and outsourcing of musicians and sound designers as part of the production process.
INTERACTIVE MIDI-BASED TECHNOLOGIES FOR GAME AUDIO: Moderator, Chris Grigg - The MIDI Manufacturers Assoc. (MMA) has developed three new standards for MIDI based technologies with applications in game audio. This panel will explore 3D MIDI Controllers, Interactive XMF Specifications and HD Protocol for MIDI Devices, a new, and drastically simplified, 32-bit version of the MIDI message protocol for use on modern transports and software APIs.
FILE FORMATS FOR INTERACTIVE APPLICATIONS AND GAMES: Moderator, Bernhard Grill - There are a number of different standards covering file formats which may be applicable to interactive or game applications. Some of these older formats have not been widely adopted, and newer ones are not well established. The expert panel members have been involved in the standardization or development of MPEG-4 object coding, MPEG-4 Structured Audio Orchestral Language, MPEG-4 Audio BIFS and the upcoming iXMF standard.
ADDITIONAL WORKSHOPS INCLUDE:
REVOLT OF THE MASTERING ENGINEERS: Moderator -Paul Stubblebine
Mastering engineers Bernie Grundman and Greg Calbi have each started independent labels, recording music with traditional techniques and releasing it on vinyl. Mastering engineers, Paul Stubblebine and Michael Romanowski have started a label to reissue music they love on 15 IPS half-track reel-to-reel. What's behind this trend? Why are mastering engineers giving up their non-existent free time to start labels based on obsolete technologies? What does this say about the current state of recorded music?
MISTAKES WE HAVE MADE, MOSTLY IN AUDIO ENGINERING: Six leading audio product developers: Chair Peter Eastty, Oxford Digital Limited (UK); Robert Bristow-Johnson, Audio Imagination; James D. (JJ) Johnston, Neural Audio Corp.; Mel Lambert, Media & Marketing; George Massenburg, Massenburg Design Works and Jim McTigue, Euphonix, Inc. will share the enlightening, thought provoking and (in retrospect) amusing lessons they have learned from actual mistakes they have made in the product development trenches.
New Frontiers In Audio Forensics
From Text to Graphics to Audio to Video
Audio Networking for the Pros
New Multichannel Formats for Internet Audio
Upcoming MPEG Standard For Efficient Parametric Coding and Rendering of Audio Objects
Wanna feel my LFE? and other burning surround questions
Photos: 125th AES Convention Workshop Co-Chairs Dave Harris and Joe Carter.
Please credit photos by Alex Storm courtesy of Dolby Labs. For High res images visit: http://www.aes.org/events/125/press/
Currently celebrating its 60th anniversary, The Audio Engineering Society was formed in 1948 by a group of concerned audio engineers. The AES counts over 14,000 members throughout the U.S., Latin America, Europe, Japan and the Far East. The organization serves as the pivotal force in the exchange and dissemination of technical information for the industry. For additional information visit HYPERLINK "http://www.aes.org" http://www.aes.org