Thursday 21st June

• The Ambiophone: Derivation of a Recording Methodology Optimized for Ambiophonic Reproduction
  Ralph Glasgal

• Ambiophonic Principles for the Recording and Reproduction of Surround Sound for Music
  Angelo Farina, Enrico Armelloni, Ralph Glasgal and Anders Torger

• PC-Based Real-Time Multichannel Convolver for Ambiophonic Reproduction
  Jose Javier Lopez and Alberto Gonzalez

• Spherical Harmonic Coding of Sound Objects - The Ambisonic 'O' Format
  David George Malham

• Beyond 5.1
  Thomas T. Chen

Friday 22nd June

• Surround Sound Reverberation Using Digital Waveguide Mesh Modeling Techniques
  Damien T. Murphy, Guilherme Campos and David M. Howard

• A Computer System for Investigating and Building Synthetic Auditory Spaces - Part II
  Geoff Martin, Jason Corey, Wieslaw Woszczyk and Rene Quesnel

• Enhancements of Room Simulation with Dynamic Cues Related to Source Position
  Jason Corey, Wieslaw Woszczyk, Geoff Martin and Rene Quesnel

• Reverb and Room Simulation in the Multichannel Era
  Knud Bank Christensen

• Multichannel Sound Control Room in NHK - Design Policy and Guideline
  Kosuke Mimoto, Toshio Wakatsuki and Masaki Sawaguchi

• The Analysis of Multichannel Sound Reproduction Algorithms Using HRTF Data
  Bruce James Wiggins, Iain Paterson-Stephens and Pieter Schillebeeckx

• Optimization of Binaural Room Scanning (BRS): Considering Interindividual HRTF Charactistics
  Gerhard Spikofski and Markus Fruhmann

• A Method to Convert Stereo to Multichannel Sound System
  Roy Irwan and Ronald M. Aarts

• A New Active Matrix Decoder for Surround Sound
  Kenneth Gundry

Saturday 23rd June

• An MPEG-Oriented Platform for Wave Field Synthesis Arrays of Loudspeakers
  Giorgio Zola and Claudio Alberti

• Workshop 1: Number of Channels
  Chris Cain and Tomlinson Holman

• General Considerations on Audio Multichannel Recording
  Jorg Wuttke

• Approach and Mixing Technique for Natural Sound Recording of Multichannel Audio
  Kimio Hamasaki and Toru Shinmura

• The Psychoacoustics of Listening Area, Depth, and Envelopment in Surround Recordings and Their Relationship to Microphone Techniques
  David Griesinger

• Natural 5.1 Music Recording Based on Psychoacoustic Principles
  Gunther Theile

• Workshop 2: Multichannel Audio - A Status Evaluation
  Moderator: Jorg Wuttke
  Guest Speakers: Florian Camerer, David Griesinger, Kimio Hamasaki, Gunther Theile and Wieslaw Woszczyk

Sunday 24th June

• Verification and Correlation of Attributes Used for Describing the Spatial Quality of Reproduced Sound
  Jan Berg and Francis Rumsey

• Interaural Time Difference Fluctuations: Their Measurement, Subjective Perceptual Effect, and Application in Sound Reproduction
  Russell Mason and Francis Rumsey

• Unraveling the Perception of Spatial Sound Reproduction: Techniques and Experimental Design
  Nick Zacharov and Kalle Koivuniemi

• Discovering the Influence of Visual Stimuli on the Perception of Surround Sound Using Genetic Algorithms
  C. Czyzewski, B. Kostek, P. Odya and T. Smolinski

• 3-D Audio as an Information-Environment
  Peter P. Lennox, Tony Myatt and John M. Vaughan

Please note: All information is believed to be accurate, but is subject to change without notice.