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AES Paris 2006 - Tutorials
Last Updated: 20060512, mei
| Saturday, May 20 |
T1 MASTERING FOR MULTICHANNEL AUDIO
Saturday, May 20, 14:00 — 16:00
T2 COMPUTATIONAL AUDITORY SCENE ANALYSIS
Saturday, May 20, 14:00 — 16:00
T3 LOUDSPEAKERS AND ROOMS FOR SOUND REPRODUCTION
Saturday, May 20, 16:30 — 18:30
T4 LOW BIT-RATE AUDIO CODING
Saturday, May 20, 16:30 — 18:00
T5 HD VIDEO WITH HI-RES AUDIO
Saturday, May 20, 17:30 — 18:30
T6 THE ORIGINS OF DIGITAL AUDIO AND COMPUTERS: CRACKING ENGIMA—WWII CIPHER MACHINES AND THE ULTRA SECRET
| Sunday, May 21 |
T7 HEARING LOSS—CAUSES, PREVENTIVE MEASURES AND EFFECTS ON SOUND PROFESSIONALS AND THE AUDIENCE
Sunday, May 21, 11:00 — 13:00
T8 LATENCY IN AUDIO: FUNDAMENTALS
Sunday, May 21, 11:00 — 13:00
T9 PRACTICALITIES OF THE HOME STUDIO
Sunday, May 21, 14:00 — 16:00
T10 AUDIO BROADCASTING TECHNOLOGIES FOR NEW MEDIA
Sunday, May 21, 16:30 — 18:30
T11 DESCRIPTIVE ANALYSIS I: CONSENSUS VOCABULARY DEVELOPMENT
Sunday, May 21, 16:30 — 18:30
T12 LOUDSPEAKER AND HEADPHONE FUNDAMENTALS
| Monday, May 22 |
T13 CHOOSING THE RIGHT SOUND REINFORCEMENT SYSTEM FOR THE VENUE
Monday, May 22, 13:30 — 15:30
T14 HUMAN FACTORS IN THE DESIGN OF AUDIO PRODUCTS AND SYSTEMS
Monday, May 22, 13:30 — 15:30
T15 METADATA MANAGEMENT
Monday, May 22, 16:00 — 18:00
T16 AUDIO SYNCHRONIZATION
| Tuesday, May 23 |
T17 QUANTIZATION EFFECTS IN AUDIO SIGNAL PROCESSING
Tuesday, May 23, 09:00 — 11:00
T18 MICROPHONE PRINCIPLES
Tuesday, May 23, 11:30 — 13:30
T19 SELECTED TOPICS IN AUDIO FORENSICS
Tuesday, May 23, 11:30 — 13:30
T20 MICROPHONE TECHNIQUES in the MULTICHANNEL ERA
Tuesday, May 23, 14:00 — 16:00
T21 DIGITAL SIGNALS, FILTERS, EQUALIZERS
