Clean Audio for TV broadcast: An Object-Based Approach for Hearing-Impaired Viewers - April 2015
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Sound Board: Food for Thought, Aesthetics in Orchestra Recording - April 2015
Ambiophonics. Achieving Physiological Realism in Music Recording and Reproduction
Ambiophonics, is the logical successor, to stereophonics, 5.1, 6,0, 7,1, 10.2, or Ambisonics in the periphonic recording and reproduction of frontally staged music or drama. We show how, optimally, only two recording media channels, driving a multi-speaker surround Ambiophonic system, can consistently generate a "you are there" sound field that the domestic concert hall listener can sense has normal binaural physiological verisimilitude. Ambiophonics can deliver palpable realism even from standard two media channel recordings such as the existing library of LPs, CDs, DVDs, or SACDs or via super-wide-stage recordings made using an Ambiophone.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.