The creative application of frequency- and amplitude-modulation to several works of live-performance of electronic music is discussed. The development of semi-automatic electronic procedures for musical performance of one of these works, a widely performed and recently recorded composition which was commissioned under the auspices of the National Endowment of the Arts, is considered in detail.
Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $33 for non-members and is free for AES members and E-Library subscribers.