In This Section
AES Store
- Learn From The Experts:

Neil Muncy "Early Multitrack Recording"- Oral History Project Gallery
- Other AES Publications
Journal Forum
Virtual Localization by Blind Persons - July 2012
1 comment
Effect of Spatial Location and Presentation Rate on the Reaction to Auditory Displays - July 2012
1 comment
Watermark-Aided Pre-Echo Reduction in Low Bit-Rate Audio Coding - June 2012
1 comment
AES E-Library
Preliminary Experiments on the Aural Significance of Parts of Tones of Orchestral Instruments and on Choral Tones
In a series of preliminary experiments we found that the attack transient is quite important in the aural identification of a nonpercussive instrument of the orchestra as compared with the steady state or the decay transient. The -attack transients- of percussive instruments are of very little significance for their identification. The circuits for several quiet gates which we developed are presented. The widths of the distributions and the number of partials are of aural significance in choral tones; the differences between the few laws of spacing that we studied seem relatively unimportant. Choral tones with widths of ±1 percent can be distinguished from solo tones for durations as short as 0.03 second.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.
Learn more about the AES E-Library
Start a discussion about this paper!






