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Intelligibility of sung texts depends on speed of articulation and degree of homogeneity of timbre. Pitch variation not exceeding major third preserves these characteristics. By using pre-recorded loops of raw material, a fifth apart, total vocal range can be covered. Within these limits text, rhythm, timbre and intelligibility are preserved and by varying playback velocity, any desired melodic contours realized.
Author (s): Shaeffer, Myron;
Affiliation:
University of Toronto, Toronto, Canada
(See document for exact affiliation information.)
AES Convention: 14
Paper Number:242
Publication Date:
1962-10-06
DOI:
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Shaeffer, Myron; 1962; The Creation of Melodic Contours from Non-Melodic Raw Material Without Loss of Text or Timbre [PDF]; University of Toronto, Toronto, Canada; Paper 242; Available from: https://aes.org/publications/elibrary-page/?id=706
Shaeffer, Myron; The Creation of Melodic Contours from Non-Melodic Raw Material Without Loss of Text or Timbre [PDF]; University of Toronto, Toronto, Canada; Paper 242; 1962 Available: https://aes.org/publications/elibrary-page/?id=706
@inproceedings{Shaeffer1962the,
title={{The Creation of Melodic Contours from Non-Melodic Raw Material Without Loss of Text or Timbre}},
author={Shaeffer, Myron},
year={1962},
month={oct},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 242; AES Convention 14; October 1962},
number={242},
organization={AES},
}
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