A previous paper (1) described the use of Linear Predictive Coding for drm synthesis: this paper covers work performed since then, with particular emphasis on the methods and signals for driving a resonant drum model. The previous work used simple excitation consisting of rectangular bursts of uniformly distributed pseudo-random noise. Here we will look at Gaussian and Brownian noise which can also be filtered and/or have its time envelope modified. The methods for genrating these stimuli is reviewed and results presented graphically, with some comments about their auditory performance. A computationally efficient technique for the synthesis is proposed.

Author: Sandler, Mark B.
Affiliation: Kings College London, London, England
AES Convention: 89 (September 1990) Paper Number: 2951
Publication Date: September 1, 1990 Import into BibTeX
Subject: MIDI and Electronic Music
Permalink: https://www.aes.org/e-lib/browse.cfm?elib=5742

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