New Results in LPC Synthesis of Drums
A previous paper (1) described the use of Linear Predictive Coding for drm synthesis: this paper covers work performed since then, with particular emphasis on the methods and signals for driving a resonant drum model. The previous work used simple excitation consisting of rectangular bursts of uniformly distributed pseudo-random noise. Here we will look at Gaussian and Brownian noise which can also be filtered and/or have its time envelope modified. The methods for genrating these stimuli is reviewed and results presented graphically, with some comments about their auditory performance. A computationally efficient technique for the synthesis is proposed.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.