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Designing a linear-phase digital equalizer involves a tradeoff between the smoothness of the frequency response and the independence of the equalizer bands. This is illustrated by using several shapes of bandpass amplitude functions. Cubic B-splines exhibit desirable characteristics as bandpass amplitude functions, namely, smooth frequency response and reduced impulse-response ringing. B-splines can be combined to improve the inter-band independence. An implementation of this type of equalizer is then discussed.
Author (s): Kraght, Paul H.;
Affiliation:
Beckman Instruments, Brea, CA
(See document for exact affiliation information.)
AES Convention: 89
Paper Number:2971
Publication Date:
1990-09-06
Session subject:
Digital Audio Technology
DOI:
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Kraght, Paul H.; 1990; A Linear-Phase Digital Equalizer with Cubic-Spline Frequency Response [PDF]; Beckman Instruments, Brea, CA; Paper 2971; Available from: https://aes.org/publications/elibrary-page/?id=5722
Kraght, Paul H.; A Linear-Phase Digital Equalizer with Cubic-Spline Frequency Response [PDF]; Beckman Instruments, Brea, CA; Paper 2971; 1990 Available: https://aes.org/publications/elibrary-page/?id=5722
@inproceedings{Kraght1990a,
title={{A Linear-Phase Digital Equalizer with Cubic-Spline Frequency Response}},
author={Kraght, Paul H.},
year={1990},
month={sep},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 2971; AES Convention 89; September 1990},
number={2971},
organization={AES},
}
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