Clean Audio for TV broadcast: An Object-Based Approach for Hearing-Impaired Viewers - April 2015
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Sound Board: Food for Thought, Aesthetics in Orchestra Recording - April 2015
An Overview of Stereo Recording Techniques for Popular Music
Over the years, technical descriptions of stereo recording have centered on the essentials of sound-field pickup, with emphasis on maintaining left-right and fore-aft relationships on the reproduced sound stage. The principal emphasis has been on coincident and quasi-coincident microphone techniques, with special reference to the early work of Blumlein. Fundamentally, these descriptions have dealt with the recording of acoustically balanced ensembles performing in traditional venues, and this pretty much defines the goals of classical recording.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.