Journal Forum

Synchronized Swept-Sine: Theory, Application, and Implementation - October 2015

Effect of Microphone Number and Positioning on the Average of Frequency Responses in Cinema Calibration - October 2015
1 comment

The Measurement and Calibration of Sound Reproducing Systems - July 2015

Access Journal Forum

AES E-Library

Orchestral Instruments: Analysis of Performed Transitions

Document Thumbnail

The region between performed notes was examined in nine instruments (flute, bass flute, piccolo, clarinet, oboe, bassoon, trumpet, violin, cello). On each instrument, eight intervals (2nd, 3rd, 5th, 7th, ascending and descending) and two playing styles (tongued/untongued, bow change/no bow change) were digitally recorded. Using a computer, the recordings were analyzed for time-varying power and time-varying spectrum. Analysis of as many as five recordings of a given interval and playing style showed that the performer could easily replicate a given transition, so the recordings were judged representative. In the tongued (bow change) case, the notes were farther apart, the amplitude dip between the notes (except in the cello), was greater, and spectral changes were more extensive than in the nontongued (no bow change) case. This pattern was not significantly influenced by variation in the size of the interval, the direction of the interval, or the instrument performing.

JAES Volume 34 Issue 11 pp. 867-880; November 1986
Publication Date:

Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!

This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.

Learn more about the AES E-Library

E-Library Location:

Start a discussion about this paper!

Facebook   Twitter   LinkedIn   Google+   YouTube   RSS News Feeds  
AES - Audio Engineering Society