In This Section
AES Store
- Learn From The Experts:

Phil Ramone "Reverberation"- Oral History Project Gallery
- Other AES Publications
Journal Forum
Virtual Localization by Blind Persons - July 2012
1 comment
Effect of Spatial Location and Presentation Rate on the Reaction to Auditory Displays - July 2012
1 comment
Watermark-Aided Pre-Echo Reduction in Low Bit-Rate Audio Coding - June 2012
1 comment
AES E-Library
In-Phase Crossover Network Design
Crossover networks whose low- and high-pass outputs sum to unity magnitude, that is, all-pass crossovers, are considered. Of these, the only known designs which have identical phase responses for both low- and high-pass sections, and thus provide optimal polar behavior, are the Linkwitz-Riley squared-Butterworth alignments. This is a most desirable property as the main lobe of the loudspeaker system's output then shows no tilt through the crossover region. It is shown that the Linkwitz-Riley alignments are particular cases of a whole class of all-pass crossovers satisfying this condition. The designer has at his disposal the denominator polynomial of the all-pass transfer function to which the complete crossover network is equivalent. To this extent he has the freedom to trade off frequency response (that is, rolloff) parameters against phase response (that is, group delay) parameters without compromising polar behavior. The Linkwitz-Riley alignments are the frequency-symmetrical cases. These new crossovers, being subtractively derived, represent a variation on the author's delay-derived crossover configuration.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.
Learn more about the AES E-Library
Start a discussion about this paper!






