Stereo Audio for Television: Practical Problems in Audio Post-Production Techniques
The advent of stereo television has created specific demands to the audio postproduction facility. This paper presents the practical applications of a dubbing studio dedicated exclusively to mixing stereo audio programs for television. Time code synchronization versus sprocket synchronization in overall stereo audio postproduction techniques will be compared. Modified recording, transferring, and mixing practices will be suggested after an analysis of the problems encountered in the postproduction process of several stereo television productions.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.