Linear predictive coding can be viewed as a transformation which yields the best mean square fit between a signal spectrum and a given order all-pole filter model. By more elaborate application, it can be used to model the sound of a bass guitar as a time-varying-all-pole-digital-filter excited by periodic impulses. Details of the technique and its implications are discussed.

Author: Gagné, Dennis D.
Affiliation: Bose Corporation, Framingham, MA
AES Convention: 85 (November 1988) Paper Number: 2691
Publication Date: November 1, 1988 Import into BibTeX
Subject: Electronic Music
Permalink: https://www.aes.org/e-lib/browse.cfm?elib=4753

Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!

This paper costs $33 for non-members and is free for AES members and E-Library subscribers.

Learn more about the AES E-Library

E-Library Location: (CD aes11)   /pp8690/pp8811/2773.pdf

Start a discussion about this paper!