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Linear predictive coding can be viewed as a transformation which yields the best mean square fit between a signal spectrum and a given order all-pole filter model. By more elaborate application, it can be used to model the sound of a bass guitar as a time-varying-all-pole-digital-filter excited by periodic impulses. Details of the technique and its implications are discussed.
Author (s): Gagné, Dennis D.;
Affiliation:
Bose Corporation, Framingham, MA
(See document for exact affiliation information.)
AES Convention: 85
Paper Number:2691
Publication Date:
1988-11-06
Session subject:
Electronic Music
DOI:
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Gagné, Dennis D.; 1988; An Application of Linear Prediction of Speech Techniques to Music Synthesis [PDF]; Bose Corporation, Framingham, MA; Paper 2691; Available from: https://aes.org/publications/elibrary-page/?id=4753
Gagné, Dennis D.; An Application of Linear Prediction of Speech Techniques to Music Synthesis [PDF]; Bose Corporation, Framingham, MA; Paper 2691; 1988 Available: https://aes.org/publications/elibrary-page/?id=4753
@inproceedings{Gagné1988an,
title={{An Application of Linear Prediction of Speech Techniques to Music Synthesis}},
author={Gagné, Dennis D.},
year={1988},
month={nov},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 2691; AES Convention 85; November 1988},
number={2691},
organization={AES},
}
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