Journal Forum

Synchronized Swept-Sine: Theory, Application, and Implementation - October 2015

Effect of Microphone Number and Positioning on the Average of Frequency Responses in Cinema Calibration - October 2015
1 comment

The Measurement and Calibration of Sound Reproducing Systems - July 2015

Access Journal Forum

AES E-Library

An Anechoic Digital Recording of Orchestral Music

Document Thumbnail

A new anechoic digital recording of orchestral music has been made in a large-scale anechoic room. The anechoic room was temporarily constructed on the stage of the concert hall in conformance to the inverse square law as specified by ISO 3745. Several orchestral works were recorded using a 32-channel multitrack digital tape recorder. Various microphone configurations were employed, and the digital mix-down was carried out using advanced equipment and technology.

AES Convention: Paper Number:
Publication Date:

Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!

This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.

Learn more about the AES E-Library

E-Library Location:

Start a discussion about this paper!

Facebook   Twitter   LinkedIn   Google+   YouTube   RSS News Feeds  
AES - Audio Engineering Society