Computer Control of Theatrical Sound Systems
Two opposing forces are at work in the conceptual design of complex computer controlled theatre sound systems: the need to preserve spontaneous live operator control over as many important functions as possible, and the need to preprogram certain complex functions which may be invoked either automatically or on demand but which normally would be impossible for an operator to perform manually.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.