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Stereo sound for television will require suitable material from a number of sources. In the cinema, stereo sound has been accepted for over 35 years. Originally this was a special premiere facility, however, since 1975 Dolby Stereo optical soundtracks have provided a high quality, low-cost stereo format for general cinema release. These high quality, wide range tracks are suitable for television transfer. A simple adaption to conventional telecine equipment is required. As well as providing stereo and improved mono performance, these stereo transfers provide material that can be presented in full cinema-style stereo in the home using Dolby Surround decoder.
Author (s): Yonge, Mark;
Affiliation:
SOLID STATE LOGIC, OXFORD, U.K. ; (Formerly with Dolby Labs, U.K.)
(See document for exact affiliation information.)
Publication Date:
1988-05-06
Session subject:
Sound with Pictures
DOI:
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Yonge, Mark; 1988; Feature Film Sound for Television [PDF]; SOLID STATE LOGIC, OXFORD, U.K. ; (Formerly with Dolby Labs, U.K.); Paper SWP-A3; Available from: https://aes.org/publications/elibrary-page/?id=4611
Yonge, Mark; Feature Film Sound for Television [PDF]; SOLID STATE LOGIC, OXFORD, U.K. ; (Formerly with Dolby Labs, U.K.); Paper SWP-A3; 1988 Available: https://aes.org/publications/elibrary-page/?id=4611
@inproceedings{Yonge1988feature,
title={{Feature Film Sound for Television}},
author={Yonge, Mark},
year={1988},
month={may},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper SWP-A3; AES Conference: UK 1st Conference: Sound with Pictures (SWP); May 1988},
number={SWP-A3},
organization={AES},
}
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