In This Section
AES Store
- Learn From The Experts:

Phil Ramone "Music Production"- Oral History Project Gallery
- Other AES Publications
Journal Forum
Virtual Localization by Blind Persons - July 2012
1 comment
Effect of Spatial Location and Presentation Rate on the Reaction to Auditory Displays - July 2012
1 comment
Watermark-Aided Pre-Echo Reduction in Low Bit-Rate Audio Coding - June 2012
1 comment
AES E-Library
Random-Access Editing of Digital Audio
The most striking characteristic of digital audio, and possibly the most controversial, is its intrinsically high sonic quality. However, this may not be the most significant benefit in terms of commercial applications. characteristics such as archivability, flexible processing techniques, time-base independence, and rapid accessibility offer efficient and powerful capabilities. The implementation of one unique feature is discussed: random-access editing. Through the use of large-capacity rotating magnetic media and a smoothing buffer, it is possible to create and/or modify splices rapidly, audition them, then play the various cuts in one continuous stream. Such a system also enables various forms of processing (including such standard functions as fading, mixing, and equalization) to be imposed on the signal, as well as permitting different forms of interaction including display of audio waveforms.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.
Learn more about the AES E-Library
Start a discussion about this paper!






