AES Store

Journal Forum

Reflecting on Reflections - June 2014
1 comment

Quiet Thoughts on a Deafening Problem - May 2014
1 comment

Perceptual Effects of Dynamic Range Compression in Popular Music Recordings - January 2014
5 comments

Access Journal Forum

AES E-Library

Use of Frequency Overlap and Equalization to Produce High-Slope Linear-Phase Loudspeaker Crossover Networks

It has been shown that linear-phase crossovers of high slope can be synthesized by subtracting a suitable low-pass output from a time-delayed version of the input signal. It would be nice to be able to avoid the expense of such an electronic time-delay network, however, and in the search for a means of doing so, it was shown subsequently that the introduction of an acoustic delay between the drivers cannot achieve the desired result. There is another possibility which suggests itself; to overlap the two halves of the crossover gradually until the right half-plane zeros, which are causing the non-minimum-phase behavior, migrate into the left half-plane and the system becomes minimum phase (but, of course, nonflat). The higher the crossover order, the greater the overlap required and the greater the rippling in the combined output. Hence the usefulness of this technique for rendering the crossover minimum phase is essentially restricted to orders r(symbol)3 in practice. Nevertheless it is of theoretical interest, for once minimum-phase response is achieved, normal minimum-phase equalization will yield a flat linear-phase crossover, retaining the original high relative rolloff rates between the drivers. The equalization may be incorporated into a passive crossover network, or performed actively. The overlap technique is explored and it is shown how it affects crossovers of orders 1 through 4. It provides one more weapon in the rather sparsely equipped arsenal of transient-perfect crossovers.

Authors:
Affiliation:
JAES Volume 33 Issue 3 pp. 114-126; March 1985
Publication Date:

Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!

This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.

Learn more about the AES E-Library

E-Library Location:

Start a discussion about this paper!


 
Facebook   Twitter   LinkedIn   Google+   YouTube   RSS News Feeds  
AES - Audio Engineering Society