The Fundamentals of Loudspeaker Design
The fundamental basis for loudspeaker design has been well established for almost a generation. In 1934, N. W. McLachlan published a definitive work on loudspeakers, which summarized most of what was known on loudspeakers up to that time. Since then, improvements in materials, manufacturing methods, and in the knowledge of what is required of a loudspeaker have resulted in loudspeakers that are smaller, cheaper and of higher quality than those which have been previous available to the home consumer. The final criterion for loudspeaker performance depends jointly upon the characteristics of the human ear and upon the characteristics of the musical instruments, or other sound sources, that must be reproduced. Early work by Fletcher and Munson at the Bell Telephone Laboratories and later by Robinson at the National Physical Laboratory in Teddington, England, has resulted in an accurate description of the sensitivity of the human ear and the relative loudness of sound of various frequencies.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $33 for non-members, $5 for AES members and is free for E-Library subscribers.