Things Any Boy Can Do with a Sixteen Track, an EU Polyphonic, and a DBX.....
In the past two or three years we have seen several significant advances in studio techniques for the realization of synthesized music - particularly in the areas of digital equipment and in the use of research data on the characteristics of natural instruments. This paper subsumes the exposition of some of these developments in an explanation of the author's synthesis of a specific orchestral work, the first movement of Gustav Holst's The Planets (1921). A taped performance will be presented.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.