The present library of two- and three-track master tapes will not necessarily obsolesce with the emergence of four-channel stereos. Where the musical intent is of the direct-reverberant sort, most of this material can be reprocessed by means of appropriate time delay, artificial reverberation, and equalization in a way that simulates four-channel recording in a normal environment. Techniques will be discussed in detail.

Author: Eargle, John M.
Affiliation: Mercury Record Productions, New York, NY
JAES Volume 19 Issue 4 pp. 262-266; April 1971
Publication Date: April 1, 1971 Import into BibTeX
Permalink: https://www.aes.org/e-lib/browse.cfm?elib=2184

Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!

This paper costs $33 for non-members and is free for AES members and E-Library subscribers.

Learn more about the AES E-Library

E-Library Location: (CD aes3)   /jrnl6877/1971/6969.pdf

Start a discussion about this paper!