In the soundscape analysis the collected data is crucial for possible relationships between the results of measurements of acoustic, psychoacoustic research results, and characteristics of the respondents. Such analysis shall verify that the physical characteristics of sound affect the subjective assessment. The article shows a review of commonly used approaches in soundscape recording both for analysis and archive purposes. Discussion on recording from one or several spots in the middle of the sound sources versus moving with the microphone towards or inside the acoustic environment is provided. Also, special attention is paid on traditional microphone techniques in sound engineering, binaural recordings, and sound field synthesis with spherical harmonics.
https://www.aes.org/e-lib/browse.cfm?elib=18687
Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $33 for non-members and is free for AES members and E-Library subscribers.
Learn more about the AES E-Library
The Engineering Briefs at this Convention were selected on the basis of a submitted synopsis, ensuring that they are of interest to AES members, and are not overly commercial. These briefs have been reproduced from the authors' advance manuscripts, without editing, corrections, or consideration by the Review Board. The AES takes no responsibility for their contents. Paper copies are not available, but any member can freely access these briefs. Members are encouraged to provide comments that enhance their usefulness.
Start a discussion about this paper!