Journal Forum

Sound Board: High-Resolution Audio - October 2015

Synchronized Swept-Sine: Theory, Application, and Implementation - October 2015

Effect of Microphone Number and Positioning on the Average of Frequency Responses in Cinema Calibration - October 2015
1 comment

Access Journal Forum

AES E-Library

Is Four Channel a Fraud?

Document Thumbnail

A comparison of the acoustic resonant modes in typical auditoriums, recording studios and home listening rooms is made to discuss the number of channels required for optimum reproduction of the symphony orchestra and small instrumental groups which use electronic delay as a musical tool. This background is used as a basis for discussing how the musical taste of the listener can guide his choice of equipment.

AES Convention: Paper Number:
Publication Date:

Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!

This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.

Learn more about the AES E-Library

E-Library Location:

Start a discussion about this paper!

Facebook   Twitter   LinkedIn   Google+   YouTube   RSS News Feeds  
AES - Audio Engineering Society