AES E-Library

Principles of Creating Movement in Dramatic Productions for Radio, TV and Film Sound

A microphone is not a -Hi-fi-transformer- from the studio situation into an auditive duplicate. It is even more difficult to establish a real situation with the elements (microphone, mixing desks, etc.) in the studio. Described are the rules to apply, and the base for creating the effects and movements we like.

 

Author (s):
Affiliation: (See document for exact affiliation information.)
AES Convention: Paper Number:
Publication Date:

DOI:


Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member Join the AES. If you need to check your member status, login to the Member Portal.

Type:
16938
Choose your country of residence from this list: