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A microphone is not a -Hi-fi-transformer- from the studio situation into an auditive duplicate. It is even more difficult to establish a real situation with the elements (microphone, mixing desks, etc.) in the studio. Described are the rules to apply, and the base for creating the effects and movements we like.
Author (s): Vanwelkenhuysen, Jan;
Affiliation:
Koninklijk Konservatorium, Brussels, Belgium
(See document for exact affiliation information.)
AES Convention: 44
Paper Number:A-5
Publication Date:
1973-03-06
DOI:
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Vanwelkenhuysen, Jan; 1973; Principles of Creating Movement in Dramatic Productions for Radio, TV and Film Sound [PDF]; Koninklijk Konservatorium, Brussels, Belgium; Paper A-5; Available from: https://aes.org/publications/elibrary-page/?id=1746
Vanwelkenhuysen, Jan; Principles of Creating Movement in Dramatic Productions for Radio, TV and Film Sound [PDF]; Koninklijk Konservatorium, Brussels, Belgium; Paper A-5; 1973 Available: https://aes.org/publications/elibrary-page/?id=1746
@inproceedings{Vanwelkenhuysen1973principles,
title={{Principles of Creating Movement in Dramatic Productions for Radio, TV and Film Sound}},
author={Vanwelkenhuysen, Jan},
year={1973},
month={mar},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper A-5; AES Convention 44; March 1973},
number={A-5},
organization={AES},
}
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