Principles of Creating Movement in Dramatic Productions for Radio, TV and Film Sound
A microphone is not a -Hi-fi-transformer- from the studio situation into an auditive duplicate. It is even more difficult to establish a real situation with the elements (microphone, mixing desks, etc.) in the studio. Described are the rules to apply, and the base for creating the effects and movements we like.
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.