AES Store

Journal Forum

Virtual Localization by Blind Persons - July 2012
1 comment

Effect of Spatial Location and Presentation Rate on the Reaction to Auditory Displays - July 2012
1 comment

Watermark-Aided Pre-Echo Reduction in Low Bit-Rate Audio Coding - June 2012
1 comment

Access Journal Forum

AES E-Library

Multitrack Mixing Using a Model of Loudness and Partial Loudness

A method for generating a mix of multitrack recordings using an auditory model has been developed. The proposed method is based on the concept that a balanced mix is one in which the loudness of all instruments are equal. A sophisticated psychoacoustic loudness model is used to measure the loudness of each track both in quiet and when mixed with any combination of the remaining tracks. Such measures are used to control the track gains in a time-varying manner. Finally we demonstrate how model predictions of partial loudness can be used to counteract energetic masking for any track, allowing the user to achieve better channel intelligibility in complex music mixtures.

Authors:
Affiliations:
AES Convention: Paper Number:
Subject:

Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!

This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.

Learn more about the AES E-Library

E-Library Location:

Start a discussion about this paper!


 
Facebook   Twitter   LinkedIn   Google+   YouTube   RSS News Feeds  
AES - Audio Engineering Society