Synchronized Swept-Sine: Theory, Application, and Implementation - October 2015
Effect of Microphone Number and Positioning on the Average of Frequency Responses in Cinema Calibration - October 2015
The Measurement and Calibration of Sound Reproducing Systems - July 2015
New Proposals for the Calibration of Sound in Cinema Rooms
The current practices for calibrating cinema rooms date back to the early 1970s. Much has been learned since then about the perception of sound, and measurement techniques have advanced greatly. Evidence has been growing that the present degree of room-to-room compatibility leaves much to be desired, and complaints about loudness and intelligibility problems persist. This paper looks at reassessing the whole process of the loudspeaker and room calibration from a modern perspective.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.