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In an intelligent editing environment, the semantic music structure can be used as beneficial assistance during the post production process. In this paper we propose a new approach to extract both low and high level hierarchical structure from vocal tracks of multi-track master recordings. Contrary to most segmentation methods for polyphonic audio, we utilize extra information available when analyzing a single audio track. A sequence of symbols is derived using a hierarchical decomposition method involving onset detection, pitch tracking and timbre modelling to capture phonetic similarity. Results show that the applied model well captures similarity of short voice segments.
Author (s): Fazekas, György;
Sandler, Mark;
Affiliation:
Queen Mary University of London
(See document for exact affiliation information.)
AES Convention: 123
Paper Number:7249
Publication Date:
2007-10-06
Session subject:
Signal Processing Applied To Music
DOI:
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Fazekas, György; Sandler, Mark; 2007; Structural Decomposition of Recorded Vocal Performances and It's Application to Intelligent Audio Editing [PDF]; Queen Mary University of London; Paper 7249; Available from: https://aes.org/publications/elibrary-page/?id=14307
Fazekas, György; Sandler, Mark; Structural Decomposition of Recorded Vocal Performances and It's Application to Intelligent Audio Editing [PDF]; Queen Mary University of London; Paper 7249; 2007 Available: https://aes.org/publications/elibrary-page/?id=14307
@inproceedings{Fazekas2007structural,
title={{Structural Decomposition of Recorded Vocal Performances and It's Application to Intelligent Audio Editing}},
author={Fazekas, György and Sandler, Mark},
year={2007},
month={oct},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 7249; AES Convention 123; October 2007},
number={7249},
organization={AES},
}
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