Clean Audio for TV broadcast: An Object-Based Approach for Hearing-Impaired Viewers - April 2015
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Sound Board: Food for Thought, Aesthetics in Orchestra Recording - April 2015
Comparison of Signal Reconstruction Methods for the Azimuth Discrimination and Resynthesis Algorithm
The Azimuth Discrimination and Resynthesis algorithm (ADRess), has been shown to produce high quality sound source separation results for intensity panned stereo recordings. There are however, artefacts such as phasiness which become apparent in the separated signals under certain conditions. This is largely due to the fact that only the magnitude spectra for each of the separated sources are estimated. Each source is then resynthesised using the phase information obtained from the original mixture signal. This paper describes the nature and origin of the associated artefacts and proposes alternative techniques for resynthesising the separated signals. A comparison of each technique is then presented.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.